000100235 000__ 00937pam\a2200313W1\4500 000100235 001__ 100235 000100235 005__ 20210513035248.0 000100235 008__ 820301s1982\\\\ilua\\\\\b\\\\00110\eng\\ 000100235 010__ $$a82-002687 000100235 020__ $$a0226008207 :$$c20.00 000100235 035__ $$a(OCoLC)ocm08282146 000100235 035__ $$a00269901 000100235 035__ $$9AAL2949SI 000100235 035__ $$a100235 000100235 0390_ $$a2$$b3$$c3$$d3$$e3 000100235 040__ $$aDLC$$cDLC$$dISE 000100235 049__ $$aISEA 000100235 0500_ $$aPN1995$$b.A265 1982 000100235 0820_ $$a791.43/01$$219 000100235 099__ $$aPN1995 .A265 1982 000100235 1001_ $$aAffron, Charles. 000100235 24510 $$aCinema and sentiment /$$cCharles Affron. 000100235 260__ $$aChicago :$$bUniversity of Chicago Press,$$c1982. 000100235 300__ $$axi, 202 p. :$$bill. ;$$c24 cm. 000100235 500__ $$aIncludes indexes. 000100235 504__ $$aBibliography: p. 187-191. 000100235 650_0 $$aMotion picture plays$$xHistory and criticism. 000100235 650_0 $$aMotion pictures$$xAesthetics. 000100235 85200 $$bgen$$hPN1995 .A265 1982 000100235 909CO $$ooai:library.usi.edu:100235$$pGLOBAL_SET 000100235 966__ $$c 1$$lUSIGEN$$mBKGEN$$sPN1995 .A265 1982$$xISEA$$z050$$b39203009130571 000100235 980__ $$aBIB 000100235 980__ $$aBOOK