000111925 000__ 01007cam\a2200313W1\4500
000111925 001__ 111925
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000111925 008__ 850819s1986\\\\mdua\\\\\b\\\\00110\eng\\
000111925 010__ $$a85-019765
000111925 020__ $$a0801831377 (alk. paper)
000111925 035__ $$a(OCoLC)ocm12557572
000111925 035__ $$a00316337
000111925 035__ $$9AAM5026SI
000111925 035__ $$a111925
000111925 040__ $$aDLC$$cDLC$$dISE
000111925 049__ $$aISEA
000111925 0500_ $$aPN1995$$b.W584 1986
000111925 0820_ $$a791.43/01/5$$219
000111925 099__ $$aPN1995 .W584 1986
000111925 1001_ $$aWilson, George M.$$q(George Macklin),$$d1937-
000111925 24510 $$aNarration in light :$$bstudies in cinematic point of view /$$cGeorge M. Wilson.
000111925 260__ $$aBaltimore :$$bJohns Hopkins University Press,$$cc1986.
000111925 300__ $$ax, 223 p. :$$bill. ;$$c24 cm.
000111925 500__ $$aIncludes index.
000111925 504__ $$aBibliography: p. 209-219.
000111925 650_0 $$aMotion pictures$$xPhilosophy.
000111925 650_0 $$aMotion picture plays$$xHistory and criticism.
000111925 85200 $$bgen$$hPN1995 .W584 1986
000111925 909CO $$ooai:library.usi.edu:111925$$pGLOBAL_SET
000111925 948__ $$aEGLI V.11
000111925 966__ $$c 1$$lUSIGEN$$mBKGEN$$sPN1995 .W584 1986$$xISEA$$z050$$b39203009595617
000111925 980__ $$aBIB
000111925 980__ $$aBOOK