000122182 000__ 00764cam\a2200265\a\4500
000122182 001__ 122182
000122182 005__ 20210513043228.0
000122182 008__ 871104s1988\\\\caua\\\\\b\\\s00110\eng\\
000122182 010__ $$a87-030180
000122182 020__ $$a0520062280 (alk. paper)
000122182 035__ $$a(OCoLC)ocm17107810
000122182 035__ $$a122182
000122182 040__ $$aDLC$$cDLC$$dOCL$$dIEP
000122182 043__ $$an-us---
000122182 049__ $$aISEA
000122182 0500_ $$aPN1995.9.A26$$bN37 1988
000122182 0820_ $$a791.43/028$$219
000122182 1001_ $$aNaremore, James.
000122182 24510 $$aActing in the cinema /$$cJames Naremore.
000122182 260__ $$aBerkeley :$$bUniversity of California Press,$$cc1988.
000122182 300__ $$aix, 307 p. :$$bill. ;$$c24 cm.
000122182 500__ $$aIncludes index.
000122182 504__ $$aBibliography: p. 287-293.
000122182 650_0 $$aMotion picture acting.
000122182 650_0 $$aMotion pictures$$zUnited States.
000122182 85200 $$bgen$$hPN1995.9.A26$$iN37$$i1988
000122182 909CO $$ooai:library.usi.edu:122182$$pGLOBAL_SET
000122182 980__ $$aBIB
000122182 980__ $$aBOOK