000124771 000__ 01030cam\a2200313W1\4500 000124771 001__ 124771 000124771 005__ 20210513043758.0 000124771 008__ 871223s1988\\\\njuaf\\\\b\\\\00110\eng\\ 000124771 010__ $$a87-034310 000124771 020__ $$a0691067244 (alk. paper) :$$c57.65 000124771 035__ $$a(OCoLC)ocm17326947 000124771 035__ $$a00378195 000124771 035__ $$9AAN8525SI 000124771 035__ $$a124771 000124771 040__ $$aDLC$$cDLC 000124771 049__ $$aISEA 000124771 0500_ $$aPN1995$$b.T46 1988 000124771 0820_ $$a791.43/75$$219 000124771 099__ $$aPN1995 .T46 1988 000124771 1001_ $$aThompson, Kristin,$$d1950- 000124771 24510 $$aBreaking the glass armor :$$bneoformalist film analysis /$$cKristin Thompson. 000124771 260__ $$aPrinceton, N.J. :$$bPrinceton University Press,$$cc1988. 000124771 300__ $$ax, 361 p., [41] p. of plates :$$bill. (some col.) ;$$c25 cm. 000124771 504__ $$aIncludes bibliographical references and index. 000124771 650_0 $$aMotion pictures. 000124771 650_0 $$aFilm criticism$$xPhilosophy. 000124771 7400_ $$aNeoformalist film analysis. 000124771 85200 $$bgen$$hPN1995 .T46 1988 000124771 909CO $$ooai:library.usi.edu:124771$$pGLOBAL_SET 000124771 948__ $$aEGLI V.11 000124771 966__ $$c 1$$lUSIGEN$$mBKGEN$$sPN1995 .T46 1988$$p57.65$$xISEA$$z050$$b39203009847968 000124771 980__ $$aBIB 000124771 980__ $$aBOOK