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Table of Contents
Cover
Half Title
Title
Copyright
Dedication
Contents
List of Illustrations
Acknowledgements
Introduction: Contexts and Choices
I. SETTING THE STAGE
1. Dancing Pluralism in Canada: A Brief Historical Overview
II. THE DISCOURSES OF PLURALISM
2. Embodying the Canadian Mosaic: The Great West Canadian Folk Dance, Folk Song, and Handicraft Festival, 1930
3. Olé, eh?: Canadian Multicultural Discourses and Atlantic Canadian Flamenco
4. Illuminating a Disparate Diaspora: Fijian Dance in Canada
5. Ukrainian Theatrical Dance on the Island: Speaking Back to National and Provincial Images of Multicultural Cape Breton
6. Zab Maboungou: Trance and Locating the Other
III. IDENTITY FORMATION AND ARTISTIC AGENCY
7. A Contemporary Global Artist's Perspective
8. Re-imagining the Multicultural Citizen: 'Folk' as Strategy in the Japanese Canadians' 1977 Centennial National Odori Concert
9. Dance as a Curatorial Practice: Performing Moving Dragon's Koong at the Royal Ontario Museum
10. Kinetic Crossroads: Chouinard, Sinha, and Castello
IV. EDUCATION AND THE PROCESSES OF NORMALIZATION
11. From Inclusion to Integration: Intercultural Dialogue and Contemporary University Dance Education
12. A Dance Flash Mob, Canadian Multiculturalism, and Kinaesthetic Groupness
13. Contemporary Indigenous Dance in Canada
14. ""There Is the Me That Loves to Dance"": Dancing Cultural Identities in Theatre for Young Audiences
V. BUILDING COALITIONS/BELONGING TO COMMUNITIES
15. The Presence and Future of Danish Folk Dancing in Canada
16. Glimpses of a Cultural Entrepreneur
17. Dance and the Fulfillment of Multicultural Desire: The Reflections of an Accidental Ukrainian
18. Old Roads, New World: Exploring Collaboration through Kathak and Flamenco
References
Contributors
Copyright Acknowledgements
Index.
Half Title
Title
Copyright
Dedication
Contents
List of Illustrations
Acknowledgements
Introduction: Contexts and Choices
I. SETTING THE STAGE
1. Dancing Pluralism in Canada: A Brief Historical Overview
II. THE DISCOURSES OF PLURALISM
2. Embodying the Canadian Mosaic: The Great West Canadian Folk Dance, Folk Song, and Handicraft Festival, 1930
3. Olé, eh?: Canadian Multicultural Discourses and Atlantic Canadian Flamenco
4. Illuminating a Disparate Diaspora: Fijian Dance in Canada
5. Ukrainian Theatrical Dance on the Island: Speaking Back to National and Provincial Images of Multicultural Cape Breton
6. Zab Maboungou: Trance and Locating the Other
III. IDENTITY FORMATION AND ARTISTIC AGENCY
7. A Contemporary Global Artist's Perspective
8. Re-imagining the Multicultural Citizen: 'Folk' as Strategy in the Japanese Canadians' 1977 Centennial National Odori Concert
9. Dance as a Curatorial Practice: Performing Moving Dragon's Koong at the Royal Ontario Museum
10. Kinetic Crossroads: Chouinard, Sinha, and Castello
IV. EDUCATION AND THE PROCESSES OF NORMALIZATION
11. From Inclusion to Integration: Intercultural Dialogue and Contemporary University Dance Education
12. A Dance Flash Mob, Canadian Multiculturalism, and Kinaesthetic Groupness
13. Contemporary Indigenous Dance in Canada
14. ""There Is the Me That Loves to Dance"": Dancing Cultural Identities in Theatre for Young Audiences
V. BUILDING COALITIONS/BELONGING TO COMMUNITIES
15. The Presence and Future of Danish Folk Dancing in Canada
16. Glimpses of a Cultural Entrepreneur
17. Dance and the Fulfillment of Multicultural Desire: The Reflections of an Accidental Ukrainian
18. Old Roads, New World: Exploring Collaboration through Kathak and Flamenco
References
Contributors
Copyright Acknowledgements
Index.