Cover
Half title
Title
Copyright
Table of Contents
Acknowledgments
Introduction: Why Modernist Innovations in the Arts Still Matter
Chapter 1. How Modernist Transformations of the Object Affect Its Presentations of Subjectivity
Chapter 2. The Logic of Modernist Art's Resistance to Materialisms Old and New
Chapter 3. Ezra Pound and Marianne Moore: Why Imagism Could Not Suffice
Chapter 4. T. S. Eliot's Christian Poetics and Hegel's Ideal of Inner Sensuousness
Chapter 5. What Is "Ordinary" about Wallace Stevens's "An Ordinary Evening in New Haven"?

Chapter 6. Making the Unmaking: How John Ashbery Altered the Ambitions of Constructivist Art
Epilogue. Why This Emphasis on Self-Consciousness Might Matter for Contemporary Thinking about the Mind
Notes
Bibliography
Index