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Cover
Half title
Title
Copyright
Table of Contents
Acknowledgments
Chapter 1. Introduction
Part 1. Sound
Chapter 2. Thinking in Sound: Wallace Stevens, "notes Toward a Supreme Fiction"
Chapter 3. Soundscapes: William Carlos Williams and "The Desert Music"
Chapter 4. Inner Listening
Part 2. Communities
Chapter 5. Robert Creeley's Reflexive Poems
Chapter 6. Imagining a Poetry Community: Frank O'Hara and Robert Duncan
Chapter 7. Becoming a Poet In the 1970s: Ethnopoetics and Language Writing
Part 3. Collaboration

Chapter 8. Collaboration and Authorship: Lyn Hejinian, The Cell
Chapter 9. Unauthoring: Jerome Rothenberg and America a Prophecy
Chapter 10. L=A=N=G=U=A=G=E and Its Authors
Part 4. Complexity
Chapter 11. Open Oppen: George Oppen and Susan Howe
Chapter 12. The Longing of the Poem
Chapter 13. An Aesthetics of Opacity
Chapter 14. Afterword: Embodiment and Experiment
Notes
Bibliography
Index

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