001358061 000__ 04887cam\a2200553Ii\4500 001358061 001__ 1358061 001358061 003__ OCoLC 001358061 005__ 20230306152612.0 001358061 006__ m\\\\\o\\d\\\\\\\\ 001358061 007__ cr\cn\nnnunnun 001358061 008__ 160329s2016\\\\ne\\\\\\ob\\\\000\0\eng\d 001358061 019__ $$a945641700$$a1111062831$$a1112571997$$a1113389242$$a1122815382$$a1160096293 001358061 020__ $$a9789463004626$$q(electronic book) 001358061 020__ $$a9463004629$$q(electronic book) 001358061 020__ $$z9463004610 001358061 020__ $$z9789463004619 001358061 0247_ $$a10.1007/978-94-6300-462-6$$2doi 001358061 035__ $$aSP(OCoLC)945662950$$z(OCoLC)945641700$$z(OCoLC)1111062831$$z(OCoLC)1112571997$$z(OCoLC)1113389242$$z(OCoLC)1122815382$$z(OCoLC)1160096293 001358061 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dOCLCO$$dYDXCP$$dEBLCP$$dIDEBK$$dOCLCF$$dOCLCO$$dCOO$$dOHI$$dOCLCO$$dKSU$$dOCLCQ$$dVT2$$dIAD$$dJBG$$dICW$$dESU$$dZ5A$$dILO$$dMERER$$dOCLCQ$$dOCLCO$$dICN$$dOCLCQ$$dIOG$$dNJR$$dU3W$$dOCLCQ$$dIDB$$dMERUC$$dOCLCA$$dOCLCQ$$dWYU$$dOCLCO$$dTKN$$dG3B$$dIGB$$dAU@$$dUKAHL$$dOCLCQ$$dOCLCO$$dDCT$$dERF$$dLEATE$$dOCLCQ$$dADU$$dOCLCQ 001358061 049__ $$aISEA 001358061 050_4 $$aPL856.U673 001358061 08204 $$a895.635$$223 001358061 24500 $$aHaruki Murakami :$$bchallenging authors /$$cMatthew C. Strecher and Paul L. Thomas (editors.). 001358061 264_1 $$aRotterdam :$$bSense Publishers,$$c2016. 001358061 300__ $$a1 online resource 001358061 336__ $$atext$$btxt$$2rdacontent 001358061 337__ $$acomputer$$bc$$2rdamedia 001358061 338__ $$aonline resource$$bcr$$2rdacarrier 001358061 347__ $$atext file 001358061 347__ $$bPDF 001358061 4901_ $$aCritical literacy teaching series, challenging authors and genre ;$$vvol. 7 001358061 504__ $$aIncludes bibliographical references. 001358061 5050_ $$aAcknowledgements -- Introduction: Challenging Murakami -- The Haruki Phenomenon and Everyday Cosmopolitanism: Belonging as a "Citizen of the World" -- Our Old Haruki Murakami and the Experience of Teaching His Works in Japan -- Haruki Murakami and the Chamber of Secrets -- Magical Murakami Nightmares: Investigating Genre through The Strange Library -- Critical Engagement through Fantasy in Hard-Boiled Wonderland and the End of the World -- What's Wrong with These People? The Anatomy of Dependence in Norwegian Wood -- The Transcreation of Tokyo: The Universality of Murakami's Urban Landscape -- "You're Probably Not That Innocent Either, Mr. Murakami": Translation and Identity between Texts in Murakami Haruki's "Nausea 1979" -- Challenging the Ambiguity of the te i (ru) Form: Reading "Mirror" in a Japanese Language Class -- Epilogue: Haruki Murakami as Global Writer -- Coda: Art in Conversation with Art: Another One of "Murakami's Children" I -- Author Biographies. 001358061 506__ $$aAccess limited to authorized users. 001358061 520__ $$aJapanese writer Haruki Murakami has achieved incredible popularity in his native country and world-wide as well as rising critical acclaim. Murakami, in addition to receiving most of the major literary awards in Japan, has been nominated several times for the Nobel Prize. Yet, his relationship with the Japanese literary community proper (known as the Bundan) has not been a particularly friendly one. One of Murakami's central and enduring themes is a persistent warning not to suppress our fundamental desires in favor of the demands of society at large. Murakami's writing over his career reveals numerous recurring motifs, but his message has also evolved, creating a catalogue of works that reveals Murakami to be a challenging author. Many of those challenges lie in Murakami's blurring of genre as well as his rich blending of Japanese and Western mythologies and styles--all while continuing to offer narratives that attract and captivate a wide range of readers. Murakami is, as Ōe Kenzaburō once contended, not a "Japanese writer" so much as a global one, and as such, he merits a central place in the classroom in order to confront readers and students, but to be challenged as well. Reading, teaching, and studying Murakami serves well the goal of rethinking this world. It will open new lines of inquiry into what constitutes national literatures, and how some authors, in the era of blurred national and cultural boundaries, seek now to transcend those boundaries and pursue a truly global mode of expression 001358061 588__ $$aVendor-supplied metadata. 001358061 60010 $$aMurakami, Haruki,$$d1949-$$xAuthorship. 001358061 650_0 $$aJapanese essays$$y20th century. 001358061 655_0 $$aElectronic books 001358061 7001_ $$aStrecher, Matthew,$$eeditor. 001358061 7001_ $$aThomas, P. L.$$q(Paul Lee),$$d1961-$$eeditor. 001358061 77608 $$iPrint version:$$tHaruki Murakami.$$dRotterdam : Sense Publishers, 2016$$z9463004610$$z9789463004619$$w(OCoLC)941877288 001358061 830_0 $$aCritical literacy teaching series, challenging authors and genre ;$$vvol. 7. 001358061 852__ $$bebk 001358061 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-94-6300-462-6$$zOnline Access$$91397441.1 001358061 909CO $$ooai:library.usi.edu:1358061$$pGLOBAL_SET 001358061 980__ $$aBIB 001358061 980__ $$aEBOOK 001358061 982__ $$aEbook 001358061 983__ $$aOnline 001358061 994__ $$a92$$bISE