001358135 000__ 03267cam\a2200529Mi\4500
001358135 001__ 1358135
001358135 003__ OCoLC
001358135 005__ 20230306152617.0
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001358135 007__ cr\un\nnnunnun
001358135 008__ 160924s2016\\\\gw\\\\\\ob\\\\001\0\eng\d
001358135 019__ $$a959885150$$a1112538537$$a1112863111$$a1160018038
001358135 020__ $$a9783319319780
001358135 020__ $$a3319319787
001358135 020__ $$a9783319319773
001358135 020__ $$a3319319779
001358135 0247_ $$a10.1007/978-3-319-31978-0$$2doi
001358135 035__ $$aSP(OCoLC)961903435$$z(OCoLC)959885150$$z(OCoLC)1112538537$$z(OCoLC)1112863111$$z(OCoLC)1160018038
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001358135 049__ $$aISEA
001358135 050_4 $$aPN750-PN759
001358135 08204 $$a809.033$$223
001358135 1001_ $$aThomson, Heidi,$$eauthor.
001358135 24510 $$aColeridge and the Romantic Newspaper :$$bthe 'Morning Post' and the Road to 'Dejection' /$$cby Heidi Thomson.
001358135 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2016.
001358135 300__ $$a1 online resource (XII, 274 pages) :$$bonline resource
001358135 336__ $$atext$$btxt$$2rdacontent
001358135 337__ $$acomputer$$bc$$2rdamedia
001358135 338__ $$aonline resource$$bcr$$2rdacarrier
001358135 347__ $$bPDF
001358135 347__ $$atext file
001358135 504__ $$aIncludes bibliographical references and index.
001358135 5050_ $$a1. Introduction: A Character in the Antithetical Manner -- 2. The Return from Germany -- 3. The Morning Post and Introduction to the Tale of the Dark Ladie -- 4. Mothers, Sons, and Poets in the Morning Post -- 5. Homeless at Grieta Hall -- 6. The 1800 Lyrical Ballads, Mary Robinson, and The Mad Monk -- 7. Mary Robinson and the Poet Coleridge -- 8. 'Merely the Emptying out of my Desk' -- 9. Conclusion: Dejection. An Ode in the Morning Post as a Palimpsest -- Notes -- Bibliography -- Index.-
001358135 506__ $$aAccess limited to authorized users.
001358135 520__ $$aThis book examines how Coleridge staged his private woes in the public space of the newspaper by looking at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.
001358135 650_0 $$aLiterature.
001358135 650_0 $$aLiterature, Modern$$y18th century.
001358135 650_0 $$aLiterature, Modern$$y19th century.
001358135 650_0 $$aPoetry.
001358135 655_0 $$aElectronic books
001358135 77608 $$iPrint version:$$z9783319319773
001358135 852__ $$bebk
001358135 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-31978-0$$zOnline Access$$91397441.1
001358135 909CO $$ooai:library.usi.edu:1358135$$pGLOBAL_SET
001358135 980__ $$aBIB
001358135 980__ $$aEBOOK
001358135 982__ $$aEbook
001358135 983__ $$aOnline
001358135 994__ $$a92$$bISE