001358138 000__ 03441cam\a2200505Ii\4500 001358138 001__ 1358138 001358138 003__ OCoLC 001358138 005__ 20230306152617.0 001358138 006__ m\\\\\o\\d\\\\\\\\ 001358138 007__ cr\cn\nnnunnun 001358138 008__ 161112s2016\\\\sz\\\\\\o\\\\\000\0\eng\d 001358138 019__ $$a1086567995$$a1112537752$$a1112827562$$a1122813339 001358138 020__ $$a9783319340456$$q(electronic book) 001358138 020__ $$a331934045X$$q(electronic book) 001358138 020__ $$z9783319340449 001358138 0247_ $$a10.1007/978-3-319-34045-6$$2doi 001358138 035__ $$aSP(OCoLC)962152385$$z(OCoLC)1086567995$$z(OCoLC)1112537752$$z(OCoLC)1112827562$$z(OCoLC)1122813339 001358138 040__ $$aEBLCP$$beng$$epn$$cEBLCP$$dOCLCO$$dOCLCQ$$dIDB$$dOCLCF$$dOCLCO$$dN$T$$dMERUC$$dAU@$$dOCLCQ$$dLEAUB$$dERF$$dADU$$dLEATE$$dOCLCQ 001358138 049__ $$aISEA 001358138 050_4 $$aPN6099.S547 2016 001358138 08204 $$a811.54$$222 001358138 1001_ $$aSheppard, Robert,$$eauthor. 001358138 24514 $$aThe meaning of form in contemporary innovative poetry /$$cRobert Sheppard. 001358138 264_1 $$aCham :$$bSpringer,$$c2016. 001358138 300__ $$a1 online resource (255 pages) 001358138 336__ $$atext$$btxt$$2rdacontent 001358138 337__ $$acomputer$$bc$$2rdamedia 001358138 338__ $$aonline resource$$bcr$$2rdacarrier 001358138 347__ $$atext file$$bPDF$$2rda 001358138 4901_ $$aModern and contemporary poetry and poetics 001358138 5050_ $$aPreface -- Introduction: Form, Forms and Forming -- 1. Veronica Forrest-Thomson: Poetic Artifice and Naturalization in Theory and Practice -- 2. Convention and Constraint: Form in the Innovative Sonnet Sequence -- 3. Translation as Transformation: Tim Atkins' and Peter Hughes' Petrarch -- 4. Meddling the Medieval: Caroline Bergvall and ErĂ­n Moure -- 5. Translation as Occupation: Simon Perril and Sean Bonney -- 6. Rosmarie Waldrop: Poetics, Wild Forms and Palimpsest Prose -- 7. The Trace of Poetry and the Non-Poetic: Conceptual Writing and Appropriation in Kenneth Goldsmith, Vanessa Place and John Seed -- 8. Stefan Themerson: Iconopoeia and Thought-Experiments in the Theater of Semantic Poetry -- 9. The Making of the Book: Bill Griffiths and Allen Fisher -- 10. Geraldine Monk's Poetics and Performance: Catching Form in the Act -- 11. Form and the Antagonisms of Reality: Barry MacSweeney's Sin Signs -- Notes -- Bibliography -- Index. 001358138 506__ $$aAccess limited to authorized users. 001358138 520__ $$aThis study engages the life of form in contemporary innovative poetries through both an introduction to the latest theories and close readings of leading North American and British innovative poets. The critical approach derives from Robert Sheppard's axiomatic contention that poetry is the investigation of complex contemporary realities through the means (meanings) of form. Analyzing the poetry of Rosmarie Waldrop, Caroline Bergval, Sean Bonney, Barry MacSweeney, Veronica Forrest-Thomson, Kenneth Goldsmith, Allen Fisher, and Geraldine Monk, Sheppard argues that their forms are a matter of authorial design and readerly engagement. 001358138 588__ $$aOnline resource; title from PDF title page (EBSCO, viewed March 27, 2017). 001358138 650_0 $$aPoetry, Modern$$y21st century. 001358138 650_0 $$aPoetry, Modern$$y20th century. 001358138 655_0 $$aElectronic books 001358138 77608 $$iPrint version:$$z9783319340449 001358138 830_0 $$aModern and contemporary poetry and poetics. 001358138 852__ $$bebk 001358138 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-34045-6$$zOnline Access$$91397441.1 001358138 909CO $$ooai:library.usi.edu:1358138$$pGLOBAL_SET 001358138 980__ $$aBIB 001358138 980__ $$aEBOOK 001358138 982__ $$aEbook 001358138 983__ $$aOnline 001358138 994__ $$a92$$bISE