001358217 000__ 04373cam\a2200625Mi\4500 001358217 001__ 1358217 001358217 003__ OCoLC 001358217 005__ 20230306152655.0 001358217 006__ m\\\\\o\\d\\\\\\\\ 001358217 007__ cr\nn\nnnunnun 001358217 008__ 161202s2016\\\\gw\a\\\\ob\\\\001\0\eng\d 001358217 019__ $$a972609096$$a1162756681 001358217 020__ $$a331940928X 001358217 020__ $$a9783319409283 001358217 020__ $$a9783319409276 001358217 020__ $$a3319409271 001358217 0247_ $$a10.1007/978-3-319-40928-3$$2doi 001358217 035__ $$aSP(OCoLC)1058324856$$z(OCoLC)972609096$$z(OCoLC)1162756681 001358217 040__ $$aAU@$$beng$$erda$$epn$$cAU@$$dCOO$$dOCLCF$$dVT2$$dOCLCO$$dOCLCQ$$dOCLCO$$dOCL$$dLEAUB$$dAU@$$dOCLCQ 001358217 043__ $$ae-ie--- 001358217 049__ $$aISEA 001358217 050_4 $$aPN1993-PN1999 001358217 08204 $$a791.4301$$223 001358217 24500 $$aScreening Modern Irish Fiction and Drama /$$cedited by R. Barton Palmer, Marc C. Conner. 001358217 264_1 $$aCham$$bSpringer International Publishing$$bImprint :$$bPalgrave Macmillan,$$c2016. 001358217 300__ $$a1 online resource (XV, 266 pages 27 illustrations, 18 illustrations in color.) 001358217 336__ $$atext$$btxt$$2rdacontent 001358217 337__ $$acomputer$$bc$$2rdamedia 001358217 338__ $$aonline resource$$bcr$$2rdacarrier 001358217 347__ $$atext file$$bPDF$$2rda 001358217 4901_ $$aPalgrave Studies in Adaptation and Visual Culture 001358217 504__ $$aIncludes bibliographical references at the end of each chapters and index. 001358217 5050_ $$aIntroduction: Modern Irish Drama and Fiction on Screen. Barton Palmer and Marc Conner -- 1. Liam O'Flaherty's The Informer and the aesthetics of terror. Homer Pettey -- 2. Deconstructing Political Adaptations: Sean O'Casey's The Plough and the Stars. Laurence Raw -- 3. Genre and Charisma in Shaw's Major Barbara. Doug McFarland -- 4. Lewin's Wilde: Aestheticism, Moralism, and Hollywood. Edward Adams -- 5. 'Wonderful and Incomparable Beauty': Adapting Period Aesthetic for The Importance of Being Earnest. Jennifer Jenkins -- 6. The Quiet Man: From Story to Film. Michael Patrick Gillespie -- 7. The Girl with Green Eyes. R. Barton Palmer -- 8. John Huston's 'The Dead'. Coilin Owens -- 9. Sheridan's Supercrip: Daniel Day-Lewis and the Wonder of My Left Foot. Tiffany Gilbert -- 10. Roddy Doyle's The Barrytown Trilogy and Filming Ireland's 'New Picture'. Julieann Ulin -- 11. 1960s Popular Culture in 1960s Provincial Ireland: Neil Jordan's The Butcher Boy. Michael Kissane -- 12. The Ritual of Memory in Friel's Dancing at Lughnasa. Marc Conner. 001358217 506__ $$aAccess limited to authorized users. 001358217 520__ $$aThis book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines the influence of screen adaptation of important texts from the national literature on the construction of an Irish cinema, many of whose films because of cultural constraints were produced and exhibited outside the country until very recently. Authors discussed include George Bernard Shaw, Oscar Wilde, Liam O'Flaherty, Christy Brown, Edna O'Brien, James Joyce, and Brian Friel. The films analysed in this volume include THE QUIET MAN, THE INFORMER, MAJOR BARBARA, THE GIRL WITH GREEN EYES, MY LEFT FOOT, THE PICTURE OF DORIAN GRAY, THE SNAPPER, and DANCING AT LUGHNASA. The introduction features a detailed discussion of the cultural and political questions raised by the promotion of forms of national identity by Ireland's literary and cinematic establishments. 001358217 588__ $$aDescription based on print version record. 001358217 650_0 $$aCulture$$xStudy and teaching. 001358217 650_0 $$aEthnology$$zEurope. 001358217 650_0 $$aMotion pictures$$zGreat Britain. 001358217 650_0 $$aMotion pictures. 001358217 650_0 $$aMotion picture authorship. 001358217 650_0 $$aBritish literature. 001358217 650_0 $$aMotion pictures$$zIreland$$xCriticism and interpretation. 001358217 655_0 $$aElectronic books 001358217 7001_ $$aPalmer, R. Barton,$$eeditor. 001358217 7001_ $$aConner, Marc C.,$$eeditor. 001358217 7102_ $$aÉcole nationale supérieure des beaux-arts (France) 001358217 77608 $$iPrint version: $$z3319409271 001358217 830_0 $$aPalgrave studies in adaptation and visual culture. 001358217 852__ $$bebk 001358217 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-40928-3$$zOnline Access$$91397441.1 001358217 909CO $$ooai:library.usi.edu:1358217$$pGLOBAL_SET 001358217 980__ $$aBIB 001358217 980__ $$aEBOOK 001358217 982__ $$aEbook 001358217 983__ $$aOnline 001358217 994__ $$a92$$bISE