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001358364 0247_ $$a10.1007/978-3-319-48372-6$$2doi
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001358364 050_4 $$aPN770-PN779
001358364 08204 $$a809.04$$223
001358364 1001_ $$aChaplin, Susan
001358364 24514 $$aThe Postmillennial Vampire :$$bPower, Sacrifice and Simulation in True Blood, Twilight and Other Contemporary Narratives
001358364 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint: Palgrave Pivot,$$c2017
001358364 300__ $$a1 online resource (IX, 113 pages)$$bonline resource
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001358364 5050_ $$aIntroduction -- Chapter 1. The Vampire, the Scapegoat and the Sacred King -- Chapter 2. From Blood Bonds to Brand Loyalties -- Chapter 3. 'Nothing is Real, Everything is Permitted' -- Chapter 4. Contagion, Simulation, Capital -- Bibliography.
001358364 506__ $$aAccess limited to authorized users.
001358364 5208_ $$aThis book explores the idea that while we see the vampire as a hero of romance, or as a member of an oppressed minority struggling to fit in and acquire legal recognition, the vampire has in many ways changed beyond recognition over recent decades due to radically shifting formations of the sacred in contemporary culture. The figure of the vampire has captured the popular imagination to an unprecedented extent since the turn of the millennium. The philosopher René Girard associates the sacred with a communal violence that sacred ritual controls and contains. As traditional formations of the sacred fragment, the vampire comes to embody and enact this 'sacred violence' through complex blood bonds that relate the vampire to the human in wholly new ways in the new millennium. Susan Chaplin specialises in Romanticism and Gothic Literature from the eighteenth century to the present. She has published extensively in these fields. Her works include The Gothic and the Rule of Law, 1764-1820, Gothic Literature: Texts, Contexts, Connections, The Romanticism Handbook (edited with Professor Joel Faflak), The Frankenstein Workbook, and Law, Literature and the Sublime in Eighteenth-Century Women's Fiction
001358364 650_0 $$aLiterature.
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001358364 650_0 $$aFilm genres.
001358364 650_0 $$aLiterature, Modern$$y20th century.
001358364 650_0 $$aAmerica$$xLiteratures
001358364 650_0 $$aTwentieth-Century Literature
001358364 650_0 $$aNorth American Literature
001358364 650_0 $$aAmerican Cinema
001358364 650_0 $$aGenre
001358364 655_0 $$aElectronic books
001358364 77608 $$iPrint version:$$z9783319483719
001358364 852__ $$bebk
001358364 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-48372-6$$zOnline Access$$91397441.1
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