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Table of Contents
Notes on Contributors; List of Figures; Chapter 1: Introduction: Trauma Studies, Film and the Scar Motif; 'Privileged Traumas': Which Trauma and Why?; The Image and Its Vibrations; The Victim-Perpetrator Continuum and the Implicated Subject; The Scar Motif; Notes; Works Cited; Filmography; Chapter 2: Trauma in Recent Algerian Documentary Cinema: Stories of Civil Conflict Told by the Living Dead; Theory: Cvetkovich, Khanna and Butler; The Algerian Context; Trauma in Recent Documentary Cinema: Sahraoui, Bensmaïl and Djahnine; Conclusion; Notes; Works Cited; Filmography.
Chapter 3: Elusive Figures: Children's Trauma and Bosnian War CinemaBosnian War, Victimhood, Cinema, and the Siege; Archiving the Pain of Children; Narrative War Cinema and the Child; Ethnicity, Identity, Violence, and the Elusive Child; Conclusion: In Excess of Identity, or, Beyond Politicising a Child's Trauma; Notes; Works Cited; Filmography; Chapter 4: Conferring Visibility on Trauma within Rwanda's National Reconciliation: Kivu Ruhorahoza's Disturbing and Salutary Camera; 'The Making of' ... or the Art of Shooting Back?; 'The Making of a Killer' or the Art of Propaganda.
'Making With' or the Art of Surviving'The Unmaking of' or the Art of Resisting the Cycle of Genocide; Notes; Works Cited; Filmography; Chapter 5: Proximity and Distance: Approaching Trauma in Katrina Films; Digging Deep; Against Vanishing; Low and Behold; The Safety of Distance?; Conclusion; Notes; Works Cited; Filmography; Chapter 6: 'Our Long National Nightmare Is Over'?: The Resolution of Trauma and Male Melodrama in The Tree of Life; Freud, Hysteria and the Soldier: Legacies of Trauma; The Tree of Life; Conclusion: Melodrama, Silence and the Cosmological Fix; Notes; Works Cited.
Chapter 9: Trauma's Slow Onslaught: Sound and Silence in Lav Diaz's Florentina Hubaldo, CTEThe Chronic Trauma of Colonialism; Repetitive Trauma and the Slow Impact; Physical and Mental Trauma; The Viewer as Listener; Post-Traumatic Sound and Sonic Rupture; Conclusion; Notes; Works Cited; Filmography; Chapter 10: Flesh and Blood in the Globalised Age: Pablo Trapero's Nacido y criado (Born and Bred) and Carancho (The Vulture); Trauma and the Symbolic Order: The Argentine Context; Trauma in the Private Sphere: Nacido y criado (Born and Bred) (2006).
Chapter 3: Elusive Figures: Children's Trauma and Bosnian War CinemaBosnian War, Victimhood, Cinema, and the Siege; Archiving the Pain of Children; Narrative War Cinema and the Child; Ethnicity, Identity, Violence, and the Elusive Child; Conclusion: In Excess of Identity, or, Beyond Politicising a Child's Trauma; Notes; Works Cited; Filmography; Chapter 4: Conferring Visibility on Trauma within Rwanda's National Reconciliation: Kivu Ruhorahoza's Disturbing and Salutary Camera; 'The Making of' ... or the Art of Shooting Back?; 'The Making of a Killer' or the Art of Propaganda.
'Making With' or the Art of Surviving'The Unmaking of' or the Art of Resisting the Cycle of Genocide; Notes; Works Cited; Filmography; Chapter 5: Proximity and Distance: Approaching Trauma in Katrina Films; Digging Deep; Against Vanishing; Low and Behold; The Safety of Distance?; Conclusion; Notes; Works Cited; Filmography; Chapter 6: 'Our Long National Nightmare Is Over'?: The Resolution of Trauma and Male Melodrama in The Tree of Life; Freud, Hysteria and the Soldier: Legacies of Trauma; The Tree of Life; Conclusion: Melodrama, Silence and the Cosmological Fix; Notes; Works Cited.
Chapter 9: Trauma's Slow Onslaught: Sound and Silence in Lav Diaz's Florentina Hubaldo, CTEThe Chronic Trauma of Colonialism; Repetitive Trauma and the Slow Impact; Physical and Mental Trauma; The Viewer as Listener; Post-Traumatic Sound and Sonic Rupture; Conclusion; Notes; Works Cited; Filmography; Chapter 10: Flesh and Blood in the Globalised Age: Pablo Trapero's Nacido y criado (Born and Bred) and Carancho (The Vulture); Trauma and the Symbolic Order: The Argentine Context; Trauma in the Private Sphere: Nacido y criado (Born and Bred) (2006).