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Acknowledgements
Contents
List of Figures
Chapter 1 Introduction: Where Is Nordic Noir?
Nordic Noir: A Transnational Brand
Local Colour and the Transnationalised Context
Critical Approaches to Nordic Noir
Core Examples, Methods, Chapters
References
Part I Local Colour and Location Studies
Chapter 2 Local Colour and Places on Screen
Local Colour in Art History
Local Colour in Film and Television Drama Series
Places as Commodities in Transnational Television Industries
Televisual Geography and National Representation

Nordic Television ProductionReferences
Part II From Bestsellers to Blockbusters
Chapter 5 Stieg Larsson and Scandinavian Crime Literature as a Stepping Stone
Neo-Romanticism and â#x80;#x98;Norientalismâ#x80;#x99; in Scandinavian Crime Literature
Establishing a Swedish World Scene
Blurring the Boundaries Between Film and Television
From the Beck Model to the Danish Model
References
Chapter 6 Beck and Character Adaptations
Beckâ#x80;#x99;s Stockholm
Wallander and the Changing Market Practice
Seascapes, Cityscapes and Local Noir

The Locative Title SequenceReferences
Chapter 7 Funding Models and Increasing Transnationalism
Where the Local Meets the Global
The Nordic Broadcastersâ#x80;#x99; Collaboration and Co-Production Strategies
Financial and Creative Collaboration
Local Film and Television Funds
References
Part III Written for the Danish Screen
Chapter 8 The Killing and DRâ#x80;#x99;s Danish Model
The â#x80;#x98;DNAâ#x80;#x99; of the DR Drama Series
The Killing as Bleak and Dark Crime Drama
Locations Indicating Genre, Screen Idea and Mood in the Killing

The Melancholic Mood and Sound of Nordic NoirDRâ#x80;#x99;s Cartographic Orientation in Denmark
References
Chapter 9 Norskov and Danish Commercial Public Service Drama
TV 2: A Crash Course
Norskov as Evocative Realism
Local Streets, Social Classes and Danish Design
Translocal Panorama and Character Focus
From Production Site to Geographical Workplace
References
Chapter 10 The Team, Danish Transnationalism and the Local Colour of Europe
Television Drama as Banal Transnationalism
The UK Market as Springboard for Danish Drama Series

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