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001358459 001__ 1358459
001358459 003__ OCoLC
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001358459 020__ $$a9783319636641
001358459 020__ $$a3319636642
001358459 020__ $$a9783319636634
001358459 020__ $$a3319636634
001358459 0247_ $$a10.1007/978-3-319-63664-1$$2doi
001358459 0243_ $$a9783319636634
001358459 035__ $$aSP(OCoLC)1008872054
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001358459 049__ $$aISEA
001358459 050_4 $$aPN1993-PN1999
001358459 08204 $$a791.430943909045$$223
001358459 1001_ $$aKalmár, György,$$eauthor.
001358459 24510 $$aFormations of Masculinity in Post-Communist Hungarian Cinema :$$bLabyrinthian Men /$$cby György Kalmár.
001358459 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2017.
001358459 300__ $$a1 online resource (XXIV, 164 pages 28 illustrations in color.) :$$bonline resource
001358459 336__ $$atext$$btxt$$2rdacontent
001358459 337__ $$acomputer$$bc$$2rdamedia
001358459 338__ $$aonline resource$$bcr$$2rdacarrier
001358459 347__ $$atext file$$bPDF$$2rda
001358459 5050_ $$a1. Introduction -- 2. The labyrinth principle: Figures of entrapment in Hungarian art-house cinema -- 3. Historical ruptures and ironic masculinities. (Moscow Square. Ferenc Török, 2001) -- 4. Men on the margins of history. (Hukkle. György Pálfi, 2002) -- 5. Just the Wind. Benedek Fliegauf, 2012) -- 9. Conclusions.
001358459 506__ $$aAccess limited to authorized users.
001358459 520__ $$aThis book investigates the formations of masculinity in Hungarian cinema after the fall of communism and explores some of the cultural phenomena of the years following the 1989 regime change. The films explored offer a unique perspective encompassing two entirely different worlds: state socialism and neoliberal capitalism. The films suggest that Eastern Europe is somehow different than its western counterpart and that its subjects are marked by what they went through before and after 1989. These films are all remembering, interpreting, picturing, marketing and trying to come to terms with this difference--with the memory and effects of state-socialism. In looking closely at the films' male figures, one may not only get a glimpse of the dramatic changes Eastern European societies went through after the fall of communism but also see the brave new world of global neoliberal capitalism through the eyes of the Eastern European newcomers.
001358459 650_0 $$aCulture$$xStudy and teaching.
001358459 650_0 $$aEthnology$$zEurope.
001358459 650_0 $$aMotion pictures$$xEuropean influences.
001358459 650_0 $$aMotion pictures$$xHistory.
001358459 650_0 $$aRussia$$xHistory.
001358459 651_0 $$aEurope, Eastern$$xHistory.
001358459 655_0 $$aElectronic books
001358459 77608 $$iPrint version:$$z9783319636634
001358459 852__ $$bebk
001358459 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-63664-1$$zOnline Access$$91397441.1
001358459 909CO $$ooai:library.usi.edu:1358459$$pGLOBAL_SET
001358459 980__ $$aBIB
001358459 980__ $$aEBOOK
001358459 982__ $$aEbook
001358459 983__ $$aOnline
001358459 994__ $$a92$$bISE