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1. Introduction
2. The labyrinth principle: Figures of entrapment in Hungarian art-house cinema
3. Historical ruptures and ironic masculinities. (Moscow Square. Ferenc Török, 2001)
4. Men on the margins of history. (Hukkle. György Pálfi, 2002)
5. Just the Wind. Benedek Fliegauf, 2012)
9. Conclusions.

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