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Acknowledgements; Contents; Chapter 1 Beyond Gay Men and After the Closet: Campâ#x80;#x99;s New Politics and Pleasures; Works Cited; Chapter 2 The History and Theory of Camp; 1 Stonewall, Sontag, â#x80;#x9C;Sissies, â#x80;#x9D; Sirk; 2 Campâ#x80;#x99;s Double Coding: DetachmentAttachment; 2.1 Irony, Parody, and Discursive Communities; 2.2 Politics; 2.3 Queer Prospects; Works Cited; Chapter 3 The Great Dyke Rewrite: Lesbian Camp on the Big Screen; 1 New Queer Cinema; 1.1 Camp and New Queer Cinema; 1.2 Women in (New) Queer Cinema; 2 Lesbian Chic; 3 Girls Gone Camping: But Iâ#x80;#x99;m a Cheerleader and D.E.B.S.
3.1 Lesbian Film After New Queer Cinema3.2 Romancing the Queer: Rewriting the Script of Romance; 3.3 Riot Grrrls at the Disco: Compilation Soundtrack and Meaning; 3.4 Rainbow Colored and Typecast: Stylistic Excess and Stereotypes; 3.4.1 Spatial Clichés; 3.4.2 Cheerleaders and Color Blocking; 3.4.3 Villainous Lesbians and Innocent School Girls; 4 Subtext to Sincerity; Works Cited; Chapter 4 TV invs. Postfeminism: Feminist Camp in 30 Rock; 1 Contemporary Sitcoms and Metareflection; 2 Legacy of the Feminist Sitcom; 2.1 Female-Centered Sitcoms and the Politics of Gender.
2.2 Comic Seconds, Wisecracks, and Female Excess3 Postfeminism in US (Media) Culture; 3.1 Elements of a Sensibility; 3.2 Contemporary TV: Postfeminist Concerns, Queer Readings; 4 30 Rockâ#x80;#x99;s Divergences in Comic Format and Narrative Formula; 4.1 Flashbacks of Spit Takes: Sketch Comedy in 30 Rock; 4.2 Sweeps Week Sexualities; 5 â#x80;#x9C;I Want to Go to There!â#x80;#x9D;: The Camp Routes of 30 Rockâ#x80;#x99;s Leading Ladies; 5.1 Alter Egos, Alternative Voices; 5.2 Fetishes; 5.3 Food; 5.4 Femininities; 6 A Sitcomâ#x80;#x99;s Swan Song; Works Cited; Chapter 5 Taking Pop Seriously: Lady Gaga as Camp.
1 Gaga for Pop Giants: Stars, Divas, and the Intimacy of Pop1.1 The Queerness of Divas; 1.2 The Technology of Pop; 2 Internet Killed the Video Star: Narrating Metareferentiality Across Media; 2.1 Paparazzi: Rewinding Warhol; 2.2 Telephone: Lesploitation After Lesbian Chic; 2.3 YoÃơ and I: Postfeminism for Mermaids; 3 â#x80;#x9C;Follow the Glitter Wayâ#x80;#x9D;: The Monster Ball and Camp Live in Concert; 3.1 Dancing and Feeling: The Pop Concert as Utopia; 3.2 The Monster Ballâ#x80;#x99;s Guide to Camp; 4 Grotesquely Serious; Works Cited; Chapter 6 Camp: A New, More Complex Relation to the Serious.
3.1 Lesbian Film After New Queer Cinema3.2 Romancing the Queer: Rewriting the Script of Romance; 3.3 Riot Grrrls at the Disco: Compilation Soundtrack and Meaning; 3.4 Rainbow Colored and Typecast: Stylistic Excess and Stereotypes; 3.4.1 Spatial Clichés; 3.4.2 Cheerleaders and Color Blocking; 3.4.3 Villainous Lesbians and Innocent School Girls; 4 Subtext to Sincerity; Works Cited; Chapter 4 TV invs. Postfeminism: Feminist Camp in 30 Rock; 1 Contemporary Sitcoms and Metareflection; 2 Legacy of the Feminist Sitcom; 2.1 Female-Centered Sitcoms and the Politics of Gender.
2.2 Comic Seconds, Wisecracks, and Female Excess3 Postfeminism in US (Media) Culture; 3.1 Elements of a Sensibility; 3.2 Contemporary TV: Postfeminist Concerns, Queer Readings; 4 30 Rockâ#x80;#x99;s Divergences in Comic Format and Narrative Formula; 4.1 Flashbacks of Spit Takes: Sketch Comedy in 30 Rock; 4.2 Sweeps Week Sexualities; 5 â#x80;#x9C;I Want to Go to There!â#x80;#x9D;: The Camp Routes of 30 Rockâ#x80;#x99;s Leading Ladies; 5.1 Alter Egos, Alternative Voices; 5.2 Fetishes; 5.3 Food; 5.4 Femininities; 6 A Sitcomâ#x80;#x99;s Swan Song; Works Cited; Chapter 5 Taking Pop Seriously: Lady Gaga as Camp.
1 Gaga for Pop Giants: Stars, Divas, and the Intimacy of Pop1.1 The Queerness of Divas; 1.2 The Technology of Pop; 2 Internet Killed the Video Star: Narrating Metareferentiality Across Media; 2.1 Paparazzi: Rewinding Warhol; 2.2 Telephone: Lesploitation After Lesbian Chic; 2.3 YoÃơ and I: Postfeminism for Mermaids; 3 â#x80;#x9C;Follow the Glitter Wayâ#x80;#x9D;: The Monster Ball and Camp Live in Concert; 3.1 Dancing and Feeling: The Pop Concert as Utopia; 3.2 The Monster Ballâ#x80;#x99;s Guide to Camp; 4 Grotesquely Serious; Works Cited; Chapter 6 Camp: A New, More Complex Relation to the Serious.