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001358514 001__ 1358514
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001358514 005__ 20230306152756.0
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001358514 020__ $$a9783319648736$$q(electronic book)
001358514 020__ $$a331964873X$$q(electronic book)
001358514 020__ $$z3319648721
001358514 020__ $$z9783319648729
001358514 0247_ $$a10.1007/978-3-319-64873-6$$2doi
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001358514 049__ $$aISEA
001358514 050_4 $$aGV1782
001358514 08204 $$a792.9$$223
001358514 1001_ $$aMain, Lesley.
001358514 24510 $$aTransmissions in Dance :$$bContemporary Staging Practices.
001358514 260__ $$aCham :$$bSpringer International Publishing AG, z. Hd. Alexander Grossmann,$$c2017.
001358514 300__ $$a1 online resource (239 pages)
001358514 336__ $$atext$$btxt$$2rdacontent
001358514 337__ $$acomputer$$bc$$2rdamedia
001358514 338__ $$aonline resource$$bcr$$2rdacarrier
001358514 347__ $$atext file$$bPDF$$2rda
001358514 5050_ $$a1. Introductions; Lesley Main -- 2. Transmission: from archive to production. Re-imagining Laban -- contemporizing the past, envisioning the future; Alison Curtis-Jones -- 3. Impure transmissions; traditions of modern dance across historical and geographical boundaries; Fabián Barba -- 4. Performing history: Wind Tossed (1936), Natural Movement and the hyper-historian; Maria Salgado Llopis -- 5. The Transmission--Translation -- Transformation of Doris Humphrey's Two Ecstatic Themes (1931); Lesley Main -- 6. Transmission as Process and Power in Graham's Chronicle (1936); Kim Jones -- 7. Transmitting Trio A (1966): The Relations and Sociality of an Unspectacular Dance; Sara Wookey -- 8. Silent Transformations in Choreography-Making over Time: Rosemary Butcher's Practice of 'Looking Back and Ahead'; Stefanie Sachsenmaier -- 9. The Living Cultural Heritage of Robert Cohan; Paul R W Jackson.
001358514 506__ $$aAccess limited to authorized users.
001358514 5200_ $$aThis book is a collection of essays that capture the artistic voices at play during a staging process. Situating familiar practices such as reimagining, reenactment and recreation alongside the related and often intersecting processes of transmission, translation and transformation, it features deep insights into selected dances from directors, performers, and close associates of choreographers. The breadth of practice on offer illustrates the capacity of dance as a medium to adapt successfully to diverse approaches and, further, that there is a growing appetite amongst audiences for seeing dances from the near and far past. This study spans a century, from Rudolf Laban?s Dancing Drumstick (1913) to Robert Cohan?s Sigh (2015), and examines works by Mary Wigman, Madge Atkinson (Natural Movement), Doris Humphrey, Martha Graham, Yvonne Rainer and Rosemary Butcher, an eclectic mix that crosses time and borders.
001358514 588__ $$aDescription based on print version record.
001358514 650_0 $$aDance$$xStage-setting and scenery.
001358514 655_0 $$aElectronic books
001358514 77608 $$iPrint version:$$aMain, Lesley.$$tTransmissions in Dance : Contemporary Staging Practices.$$dCham : Springer International Publishing AG, z. Hd. Alexander Grossmann, ©2017$$z9783319648729
001358514 852__ $$bebk
001358514 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-64873-6$$zOnline Access$$91397441.1
001358514 909CO $$ooai:library.usi.edu:1358514$$pGLOBAL_SET
001358514 980__ $$aBIB
001358514 980__ $$aEBOOK
001358514 982__ $$aEbook
001358514 983__ $$aOnline
001358514 994__ $$a92$$bISE