001358546 000__ 05099cam\a2200601Mi\4500 001358546 001__ 1358546 001358546 003__ OCoLC 001358546 005__ 20230306152758.0 001358546 006__ m\\\\\o\\d\\\\\\\\ 001358546 007__ cr\nn\nnnunnun 001358546 008__ 161130s2017\\\\gw\a\\\\ob\\\\001\0\eng\d 001358546 019__ $$a1086453990$$a1112580941$$a1112860778$$a1122818462$$a1160086451 001358546 020__ $$a9783319402956 001358546 020__ $$a3319402951 001358546 020__ $$a3319402943 001358546 020__ $$a9783319402949 001358546 0247_ $$a10.1007/978-3-319-40295-6$$2doi 001358546 035__ $$aSP(OCoLC)1058356033$$z(OCoLC)1086453990$$z(OCoLC)1112580941$$z(OCoLC)1112860778$$z(OCoLC)1122818462$$z(OCoLC)1160086451 001358546 040__ $$aAU@$$beng$$erda$$epn$$cAU@$$dOCLCO$$dWYU$$dOCLCF$$dOCLCQ$$dOCLCO$$dOCLCQ$$dERF$$dADU$$dLEATE$$dOCLCQ 001358546 049__ $$aISEA 001358546 050_4 $$aP87-P96 001358546 08204 $$a302.23$$qNO-OsHOA 001358546 24500 $$aEmerging Genres in New Media Environments /$$cedited by Carolyn R. Miller, Ashley R. Kelly. 001358546 264_1 $$aCham$$bSpringer International Publishing$$bImprint :$$bPalgrave Macmillan,$$c2017. 001358546 300__ $$a1 online resource (XVIII, 308 pages) :$$billustrations 001358546 336__ $$atext$$btxt$$2rdacontent 001358546 337__ $$acomputer$$bc$$2rdamedia 001358546 338__ $$aonline resource$$bcr$$2rdacarrier 001358546 347__ $$atext file 001358546 347__ $$bPDF 001358546 504__ $$aIncludes bibliographical references and index. 001358546 5050_ $$a1. Where Do Genres Come From? by Carolyn R. Miller -- Section Introduction: Medium -- 2. Bridge to Genre: Spanning Technological Change, by Janet Giltrow -- 3. Remediating Diagnosis: A Familiar Narrative Form or Emerging Digital Genre? by Lora Arduser -- 4. Russian New Media Users' Reaction to a Meteor Explosion in Chelyabinsk: Twitter versus YouTube, by Natalia Rulyova -- 5. Resisting the "Natural": Rhetorical Delivery and the Natural User Interface, by Ben McCorkle -- 6. Expansive genres of play: getting serious about game genres for the design of future learning environments, by Brad Mehlenbacher and Christopher Kampe -- Section Introduction: Genre Transformation -- 7. From Printed Newspaper to Digital Newspaper: What Has Changed? by Jaqueline Barreto Lé -- 8. Cross-culturally Narrating Risks, Imagination, and Realities of HIV/AIDS, by Huiling Ding -- 9. Source as Paratext: Videogame Adaptations and the Question of Fidelity, by Neil Randall -- 10. Atypical Rhetorical Actions: Defying Genre Expectations on Amazon.com, by Christopher Basgier -- Section Introduction: Values -- 11. Autopathographies in New Media Environments at the Turn of the Twenty-First Century, by Tamar Tembeck -- 12. Sentimentalism in Online Deliberation: Assessing the Generic Liability of Immigration Discourses, by E. Johanna Hartelius -- 13. Collected Debris of Public Memory: Commemorative Genres and the Mediation of the Past, by Victoria J. Gallagher and Jason Kalin -- 15. Hard Ephemera: Textual Tactility and the Design of the Post-Digital Narrative in Chris Ware's "Colorful Keepsake Box" and Other Nonobjects, by Colbey Emmerson Reid -- 16. Genre Emergence and Disappearance in Feminist Histories of Rhetoric, by Risa Applegarth -- Postscript: Futures for Genre Studies, by Ashley Rose Kelly. 001358546 506__ $$aAccess limited to authorized users. 001358546 520__ $$aThis volume explores cultural innovation and transformation as revealed through the emergence of new media genres. New media have enabled what impresses most observers as a dizzying proliferation of new forms of communicative interaction and cultural production, provoking multimodal experimentation, and artistic and entrepreneurial innovation. Working with the concept of genre, scholars in multiple fields have begun to explore these processes of emergence, innovation, and stabilization. Genre has thus become newly important in game studies, library and information science, film and media studies, applied linguistics, rhetoric, literature, and elsewhere. Understood as social recognitions that embed histories, ideologies, and contradictions, genres function as recurrent social actions, helping to constitute culture. Because genres are dynamic sites of tension between stability and change, they are also sites of inventive potential. Emerging Genres in New Media Environments brings together compelling papers from scholars in Brazil, Canada, England, and the United States to illustrate how this inventive potential has been harnessed around the world. 001358546 588__ $$aDescription based on print version record. 001358546 650_0 $$aCulture$$xStudy and teaching. 001358546 650_0 $$aCommunication. 001358546 650_0 $$aFilm genres. 001358546 650_0 $$aCultural studies. 001358546 650_0 $$aSociology. 001358546 650_0 $$aMass media. 001358546 650_0 $$aMass media$$xTechnological innovations. 001358546 655_0 $$aElectronic books 001358546 7001_ $$aMiller, Carolyn R,$$eeditor. 001358546 7001_ $$aKelly, Ashley R.,$$eeditor. 001358546 7102_ $$aÉcole nationale supérieure des beaux-arts (France) 001358546 77608 $$iPrint version: $$z9783319402949 001358546 852__ $$bebk 001358546 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-40295-6$$zOnline Access$$91397441.1 001358546 909CO $$ooai:library.usi.edu:1358546$$pGLOBAL_SET 001358546 980__ $$aBIB 001358546 980__ $$aEBOOK 001358546 982__ $$aEbook 001358546 983__ $$aOnline 001358546 994__ $$a92$$bISE