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Table of Contents
1. Where Do Genres Come From? by Carolyn R. Miller
Section Introduction: Medium
2. Bridge to Genre: Spanning Technological Change, by Janet Giltrow
3. Remediating Diagnosis: A Familiar Narrative Form or Emerging Digital Genre? by Lora Arduser
4. Russian New Media Users' Reaction to a Meteor Explosion in Chelyabinsk: Twitter versus YouTube, by Natalia Rulyova
5. Resisting the "Natural": Rhetorical Delivery and the Natural User Interface, by Ben McCorkle
6. Expansive genres of play: getting serious about game genres for the design of future learning environments, by Brad Mehlenbacher and Christopher Kampe
Section Introduction: Genre Transformation
7. From Printed Newspaper to Digital Newspaper: What Has Changed? by Jaqueline Barreto Lé
8. Cross-culturally Narrating Risks, Imagination, and Realities of HIV/AIDS, by Huiling Ding
9. Source as Paratext: Videogame Adaptations and the Question of Fidelity, by Neil Randall
10. Atypical Rhetorical Actions: Defying Genre Expectations on Amazon.com, by Christopher Basgier
Section Introduction: Values
11. Autopathographies in New Media Environments at the Turn of the Twenty-First Century, by Tamar Tembeck
12. Sentimentalism in Online Deliberation: Assessing the Generic Liability of Immigration Discourses, by E. Johanna Hartelius
13. Collected Debris of Public Memory: Commemorative Genres and the Mediation of the Past, by Victoria J. Gallagher and Jason Kalin
15. Hard Ephemera: Textual Tactility and the Design of the Post-Digital Narrative in Chris Ware's "Colorful Keepsake Box" and Other Nonobjects, by Colbey Emmerson Reid
16. Genre Emergence and Disappearance in Feminist Histories of Rhetoric, by Risa Applegarth
Postscript: Futures for Genre Studies, by Ashley Rose Kelly.
Section Introduction: Medium
2. Bridge to Genre: Spanning Technological Change, by Janet Giltrow
3. Remediating Diagnosis: A Familiar Narrative Form or Emerging Digital Genre? by Lora Arduser
4. Russian New Media Users' Reaction to a Meteor Explosion in Chelyabinsk: Twitter versus YouTube, by Natalia Rulyova
5. Resisting the "Natural": Rhetorical Delivery and the Natural User Interface, by Ben McCorkle
6. Expansive genres of play: getting serious about game genres for the design of future learning environments, by Brad Mehlenbacher and Christopher Kampe
Section Introduction: Genre Transformation
7. From Printed Newspaper to Digital Newspaper: What Has Changed? by Jaqueline Barreto Lé
8. Cross-culturally Narrating Risks, Imagination, and Realities of HIV/AIDS, by Huiling Ding
9. Source as Paratext: Videogame Adaptations and the Question of Fidelity, by Neil Randall
10. Atypical Rhetorical Actions: Defying Genre Expectations on Amazon.com, by Christopher Basgier
Section Introduction: Values
11. Autopathographies in New Media Environments at the Turn of the Twenty-First Century, by Tamar Tembeck
12. Sentimentalism in Online Deliberation: Assessing the Generic Liability of Immigration Discourses, by E. Johanna Hartelius
13. Collected Debris of Public Memory: Commemorative Genres and the Mediation of the Past, by Victoria J. Gallagher and Jason Kalin
15. Hard Ephemera: Textual Tactility and the Design of the Post-Digital Narrative in Chris Ware's "Colorful Keepsake Box" and Other Nonobjects, by Colbey Emmerson Reid
16. Genre Emergence and Disappearance in Feminist Histories of Rhetoric, by Risa Applegarth
Postscript: Futures for Genre Studies, by Ashley Rose Kelly.