001358556 000__ 03807cam\a2200541Mi\4500
001358556 001__ 1358556
001358556 003__ OCoLC
001358556 005__ 20230306152758.0
001358556 006__ m\\\\\o\\d\\\\\\\\
001358556 007__ cr\cn\nnnunnun
001358556 008__ 170812s2017\\\\gw\a\\\\obq\\\001\0\eng\d
001358556 019__ $$a1086518310$$a1113383557$$a1122814726
001358556 020__ $$a331948267X
001358556 020__ $$a9783319482675
001358556 020__ $$z3319482661
001358556 020__ $$z9783319482668
001358556 0247_ $$a10.1007/978-3-319-48267-5$$2doi
001358556 035__ $$aSP(OCoLC)1058480718$$z(OCoLC)1086518310$$z(OCoLC)1113383557$$z(OCoLC)1122814726
001358556 040__ $$aAU@$$beng$$erda$$epn$$cAU@$$dOCLCO$$dUKMGB$$dAU@$$dLEAUB$$dOCLCF$$dADU$$dOCLCQ$$dLEATE$$dOCL
001358556 043__ $$acl-----
001358556 049__ $$aISEA
001358556 050_4 $$aPN1993.5.A1
001358556 08204 $$a869.080981$$223
001358556 24500 $$aSpace and Subjectivity in Contemporary Brazilian Cinema /$$cedited by Antônio Márcio da Silva, Mariana Cunha.
001358556 264_1 $$aCham$$bSpringer International Publishing$$bImprint :$$bPalgrave Macmillan,$$c2017.
001358556 300__ $$a1 online resource (243 pages) :$$billustrations
001358556 336__ $$atext$$btxt$$2rdacontent
001358556 337__ $$acomputer$$bc$$2rdamedia
001358556 338__ $$aonline resource$$bcr$$2rdacarrier
001358556 347__ $$atext file$$bPDF$$2rda
001358556 4901_ $$aScreening Spaces
001358556 504__ $$aIncludes bibliographical references at the end of each chapters, filmographies and index.
001358556 5050_ $$aChapter 1: Introduction -- Chapter 2: Tikmũ'ũn's Caterpillar-Cinema: Off-screen Space and Cosmopolitics in Amerindian Films -- Chapter 3: The Reterritorializations of Urban Space in Brazilian Cinema -- Chapter 4: Mapping from the Margins: The Films of Beto Brant -- Chapter 5: Bodies in Landscape: The Scientist's Presence in Viajo porque preciso, volto porque te amo and Ventos de agosto -- Chapter 6: Intensive Spatium and the Construction of Child Subjectivities in Brazilian Cinema -- Chapter 7: Insolação: Subjective Perception of an Urban Utopia through the Lens of Love and Loss -- Chapter 8: Astral Cities, New Selves: Utopian Subjectivities in Nosso Lar and Branco sai, preto fica -- Chapter 9: Underneath the Surface, Embodied on Screen: Memory and Social Conflict in São Paulo's Cityscape -- Chapter 10: The Space of Queer Masculinities in Karim Aïnouz's Praia do Futuro -- Chapter 11: Water and Queer Intimacy -- Chapter 12: 'Casa grande & senzala': Domestic Space and Class Conflict in Casa grande and Que horas ela volta? -- Chapter 13: O som ao redor: Aural Space, Surveillance, and Class Struggle.
001358556 506__ $$aAccess limited to authorized users.
001358556 520__ $$aThis collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium. The chapters take spatiality as a powerful tool that can reveal aesthetic, political, social, and historical meanings of the cinematographic image instead of considering space as just a formal element of a film. From the rich cross-fertilization of different theories and disciplines, this edited collection engages with the connection between space and subjectivity in Brazilian cinema while raising new questions concerning spatiality and subjectivity in cinema and providing new models and tools for film analysis.
001358556 588__ $$aDescription based on print version record.
001358556 650_0 $$aBrazilian literature.
001358556 655_0 $$aElectronic books
001358556 7001_ $$aDa Silva, Antônio Márcio.,$$eeditor.
001358556 7001_ $$aCunha, Mariana.,$$eeditor.
001358556 77608 $$iPrint version: $$z3319482661
001358556 830_0 $$aScreening spaces.
001358556 852__ $$bebk
001358556 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-48267-5$$zOnline Access$$91397441.1
001358556 909CO $$ooai:library.usi.edu:1358556$$pGLOBAL_SET
001358556 980__ $$aBIB
001358556 980__ $$aEBOOK
001358556 982__ $$aEbook
001358556 983__ $$aOnline
001358556 994__ $$a92$$bISE