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001358614 001__ 1358614
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001358614 0247_ $$a10.1007/978-3-319-52304-0.$$2doi
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001358614 050_4 $$aJC11-607
001358614 08204 $$a320.01$$223
001358614 1001_ $$aRoss, Nathan.,$$eauthor.
001358614 24514 $$aThe Philosophy and Politics of Aesthetic Experience :$$bGerman Romanticism and Critical Theory /$$cby Nathan Ross.
001358614 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2017.
001358614 300__ $$a1 online resource (XV, 253 pages) :$$bonline resource
001358614 336__ $$atext$$btxt$$2rdacontent
001358614 337__ $$acomputer$$bc$$2rdamedia
001358614 338__ $$aonline resource$$bcr$$2rdacarrier
001358614 347__ $$atext file
001358614 347__ $$bPDF
001358614 4901_ $$aPolitical Philosophy and Public Purpose
001358614 5050_ $$a1. Introduction -- 2. Aesthetic Semblance and Play as Responses to the Disfigurement of Human Social Existence in Schiller's Aesthetic Education -- 3. Aesthetic Experience at the Limits of Thought in Hölderlin's New Letters on Aesthetic Education -- 4. The Endless Pursuit of Universal Sense in Friedrich Schlegel's Political and Aesthetic Thought -- 5. Walter Benjamin's Philosophy of Critical Experience--From the Romantic Artwork to the Disillusioning of Mimesis -- 6. Aesthetic Truth as the Mimesis of False Consciousness in Adorno's Aesthetic Theory -- 7. Conclusion: The Benjamin-Adorno Debate on the Nature of Aesthetic Experience.
001358614 506__ $$aAccess limited to authorized users.
001358614 520__ $$aThis book develops a philosophy of aesthetic experience through two socially significant philosophical movements: early German Romanticism and early critical theory. In examining the relationship between these two closely intertwined movements, we see that aesthetic experience is not merely a passive response to art--it is the capacity to cultivate true personal autonomy, and to critique the social and political context of our lives. Art is political for these thinkers, not only when it paints a picture of society, but even more when it makes us aware of our deeply ingrained forms of experience in a transformative way. Ultimately, the book argues that we have to think of art as a form of truth that is not reducible to communicative rationality or scientific knowledge, and from which philosophy and politics can learn valuable lessons.
001358614 650_0 $$aPolitical science.
001358614 650_0 $$aFine arts.
001358614 650_0 $$aCommunication in politics.
001358614 650_0 $$aAesthetics.
001358614 650_0 $$aCritical theory.
001358614 650_0 $$aIdealism, German.
001358614 655_0 $$aElectronic books
001358614 77608 $$iPrint version:$$z9783319523033
001358614 830_0 $$aPolitical philosophy and public purpose.
001358614 852__ $$bebk
001358614 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-52304-0$$zOnline Access$$91397441.1
001358614 909CO $$ooai:library.usi.edu:1358614$$pGLOBAL_SET
001358614 980__ $$aBIB
001358614 980__ $$aEBOOK
001358614 982__ $$aEbook
001358614 983__ $$aOnline
001358614 994__ $$a92$$bISE