001358904 000__ 04035cam\a2200589Mc\4500 001358904 001__ 1358904 001358904 003__ OCoLC 001358904 005__ 20230306152818.0 001358904 006__ m\\\\\o\\d\\\\\\\\ 001358904 007__ cr\un\nnnunnun 001358904 008__ 180501s2018\\\\gw\\\\\\o\\\\\000\0\eng\d 001358904 019__ $$a1030457778$$a1030594674$$a1030760106$$a1058985027$$a1097157629$$a1103262626$$a1113164929$$a1144387646$$a1160022098$$a1162810173$$a1203990942$$a1228648964 001358904 020__ $$a9783319770130 001358904 020__ $$a3319770136 001358904 020__ $$a9783319770147$$q(print) 001358904 020__ $$a3319770144 001358904 020__ $$a9783030083489$$q(print) 001358904 020__ $$a3030083489 001358904 020__ $$z3319770128 001358904 020__ $$z9783319770123 001358904 0247_ $$a10.1007/978-3-319-77013-0$$2doi 001358904 035__ $$aSP(OCoLC)1033402950$$z(OCoLC)1030457778$$z(OCoLC)1030594674$$z(OCoLC)1030760106$$z(OCoLC)1058985027$$z(OCoLC)1097157629$$z(OCoLC)1103262626$$z(OCoLC)1113164929$$z(OCoLC)1144387646$$z(OCoLC)1160022098$$z(OCoLC)1162810173$$z(OCoLC)1203990942$$z(OCoLC)1228648964 001358904 040__ $$aDKDLA$$beng$$epn$$cDKDLA$$dOCLCO$$dOCLCQ$$dOCLCO$$dYDX$$dOCLCF$$dOCLCA$$dAU@$$dEBLCP$$dWYU$$dOCLCQ$$dOCLCO$$dLEAUB$$dNJT$$dVT2$$dOCLCQ$$dNJT$$dADU$$dOCLCQ$$dOCL$$dOCLCQ$$dDCT 001358904 043__ $$an-us--- 001358904 049__ $$aISEA 001358904 050_4 $$aHM621-HM656M1-960HM6 001358904 08204 $$a782.42166092 001358904 1001_ $$aLefkovitz, Aaron E. 001358904 24510 $$aJimi Hendrix and the Cultural Politics of Popular Music 001358904 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint: Palgrave Pivot,$$c2018 001358904 300__ $$a1 online resource (V, 158 pages)$$bonline resource 001358904 336__ $$atext$$btxt$$2rdacontent 001358904 337__ $$acomputer$$bc$$2rdamedia 001358904 338__ $$aonline resource$$bcr$$2rdacarrier 001358904 347__ $$atext file 001358904 347__ $$bPDF 001358904 5050_ $$a1. Jimi Hendrix"Gypsy Eyes, Voodoo Child, and Countercultural Symbol -- 2. "I Don't Want to Be a Clown Anymore": Jimi Hendrix as Racialized Freak and Black-Transnational Icon -- 3. Jimi Hendrix and Black-Transnational Popular Music's Global Gender and Sexualized Histories -- 4. Jimi Hendrix, the 1960s Counterculture, and Confirmations and Critiques of US Cultural Mythologies -- 5. Conclusion 001358904 506__ $$aAccess limited to authorized users. 001358904 5208_ $$aThis book, on Jimi Hendrix's life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix's relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an itinerant "Gypsy" and "Voodoo child" whose racialized "freak" visual image continues to internationally circulate, exploited the exoticism of his race, gender, and sexuality and Gypsy and Voodoo transnational political cultures and religion. Aaron E. Lefkovitz argues that Hendrix can be located in a legacy of black-transnational popular musicians, from Chuck Berry to the hip hop duo Outkast, confirming while subverting established white supremacist and hetero-normative codes and conventions. Focusing on Hendrix's transnational biography and centrality to US and international visual cultural and popular music histories, this book links Hendrix to traditions of blackface minstrelsy, international freak show spectacles, black popular music's global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix's place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories 001358904 60010 $$aHendrix, Jimi. 001358904 650_0 $$aMusic$$xPolitical aspects$$zUnited States. 001358904 650_0 $$aMusic and race$$zUnited States. 001358904 650_0 $$aMusic$$xSocial aspects$$zUnited States$$xHistory. 001358904 655_0 $$aElectronic books 001358904 7730_ $$tSpringer eBooks 001358904 77608 $$iPrint version:$$aLefkovitz, Aaron.$$tJimi Hendrix and the Cultural Politics of Popular Music.$$dCham : Springer International Publishing : Imprint: Palgrave Pivot, 2018$$z3319770128$$z9783319770123$$w(OCoLC)1022085269 001358904 852__ $$bebk 001358904 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-77013-0$$zOnline Access$$91397441.1 001358904 909CO $$ooai:library.usi.edu:1358904$$pGLOBAL_SET 001358904 980__ $$aBIB 001358904 980__ $$aEBOOK 001358904 982__ $$aEbook 001358904 983__ $$aOnline 001358904 994__ $$a92$$bISE