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1 Introduction 1 Sarah Whatley, Rosamaria K. Cisneros, and Amalia Sabiescu Part I Critical and Reflexive Engagements.-2 Considering the Relationship Between Digitally Mediated Audience Engagement and the Dance-Making Proces.-Laura Griffiths and Ben Walmsley 3 Performing the Uncanny: Psychoanalysis, Aestheticsand the Digital Double Suparna Banerjee 4 The Implications of Technology in Dance: A Dancer's Perspective of Moving in Media-Rich Environments Kerry Francksen
Part II Space, Time and Memory: Digital Interventions.-5 Bark and Butterflies: Redeeming the Past
Digital Interventions into Post-Memory Adrian Palka 6 Chorotopical Art: Mediating the Atmospheres of CulturalSites to Create a New Spatial Logic Liana Psarologaki.= 7 (Ukulele) Strings of Knowledge: Tactile and Digital Interactivity with Archives and Ethnography Rachel M. Ward and Kate Hennessy
8 Open State: Event Spaces of Infinite Perspective Adam Benjamin and Mathew Emmet.-Part III Preserving the Intangible: New Tools and Documentation Strategies .-9 Demystifying or Destroying? Cultural Heritage and Tradition in Playing the Tabla, and Developing the Electronic Tabla and Digital Notation System Jerri Daboo.-10 Digital Environments for Intercultural Content: A Case Study on the Asian Shakespeare Intercultural Archive Alvin Eng Hui Lim.-11 Mediating and Visualizing Paxton's Material for the Spine Rebecca Stancliffe.-12 In/Tangible: The Duality of Video Documentation in Dance Heather Young Reed.-13 Kapturing Kung Fu: Future Proofing the Hong Kong Martial Arts Living Archive Hing Chao, Matt Delbridge, Sarah Kenderdine, Lydia Nicholson, and Jeffrey Shaw.-Part IV Authorship, Ownership and Legal Aspects.-14 Presenting the Intangible: Curating the Intangible Cultural Heritage in the Museum Practice
Legal Aspects Teodora Konach 15 Artworks-Spawning-Artworks: Trans-Disciplinary Approaches to Artistic Spin-Offs and Evolution in the Dance and Digital Context Jordan Beth Vincent, Caitlin Vincent, Kim Vincs, Scott deLahunta, and John McCormick
16 Preservation and Paradox: Choreographic Authorship in the Digital Sphere Hetty Blades.-17 Dance and Law: From Indifference to Rapport Charlotte Waelde Index.
Part II Space, Time and Memory: Digital Interventions.-5 Bark and Butterflies: Redeeming the Past
Digital Interventions into Post-Memory Adrian Palka 6 Chorotopical Art: Mediating the Atmospheres of CulturalSites to Create a New Spatial Logic Liana Psarologaki.= 7 (Ukulele) Strings of Knowledge: Tactile and Digital Interactivity with Archives and Ethnography Rachel M. Ward and Kate Hennessy
8 Open State: Event Spaces of Infinite Perspective Adam Benjamin and Mathew Emmet.-Part III Preserving the Intangible: New Tools and Documentation Strategies .-9 Demystifying or Destroying? Cultural Heritage and Tradition in Playing the Tabla, and Developing the Electronic Tabla and Digital Notation System Jerri Daboo.-10 Digital Environments for Intercultural Content: A Case Study on the Asian Shakespeare Intercultural Archive Alvin Eng Hui Lim.-11 Mediating and Visualizing Paxton's Material for the Spine Rebecca Stancliffe.-12 In/Tangible: The Duality of Video Documentation in Dance Heather Young Reed.-13 Kapturing Kung Fu: Future Proofing the Hong Kong Martial Arts Living Archive Hing Chao, Matt Delbridge, Sarah Kenderdine, Lydia Nicholson, and Jeffrey Shaw.-Part IV Authorship, Ownership and Legal Aspects.-14 Presenting the Intangible: Curating the Intangible Cultural Heritage in the Museum Practice
Legal Aspects Teodora Konach 15 Artworks-Spawning-Artworks: Trans-Disciplinary Approaches to Artistic Spin-Offs and Evolution in the Dance and Digital Context Jordan Beth Vincent, Caitlin Vincent, Kim Vincs, Scott deLahunta, and John McCormick
16 Preservation and Paradox: Choreographic Authorship in the Digital Sphere Hetty Blades.-17 Dance and Law: From Indifference to Rapport Charlotte Waelde Index.