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001359052 001__ 1359052
001359052 003__ OCoLC
001359052 005__ 20230306152826.0
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001359052 008__ 180601s2018\\\\gw\a\\\\o\\\\\000\0\eng\d
001359052 019__ $$a1160016347
001359052 020__ $$a3319767771
001359052 020__ $$a9783319767772
001359052 020__ $$z9783319767765$$q(hbk.)
001359052 0247_ $$a10.1007/978-3-319-76777-2$$2doi
001359052 035__ $$aSP(OCoLC)1058893412$$z(OCoLC)1160016347
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001359052 049__ $$aISEA
001359052 050_4 $$aPN1993.5.U6
001359052 08204 $$a305.8$$223
001359052 1001_ $$aCraven, Alice Mikal.,$$eauthor.
001359052 24510 $$aVisible and Invisible Whiteness :$$bAmerican White Supremacy through the Cinematic Lens /$$cby Alice Mikal Craven.
001359052 264_1 $$aCham$$bSpringer International Publishing$$bImprint :$$bPalgrave Macmillan,$$c2018.
001359052 264_1 $$bSpringer International Publishing.
001359052 300__ $$a1 online resource (xiv, 220 pages) :$$billustrations
001359052 336__ $$atext$$btxt$$2rdacontent
001359052 337__ $$acomputer$$bc$$2rdamedia
001359052 338__ $$aonline resource$$bcr$$2rdacarrier
001359052 347__ $$atext file
001359052 347__ $$bPDF
001359052 5050_ $$a1. Looking at American White Supremacy "Through a Glass Darkly": Baldwin's Critique of Birth of a Nation -- 2. "But Now I See": James Agee on Birth of a Nation -- 3. Contending Visions: Imitation of Life According to John M. Stahl and Douglas Sirk -- 4. Forsaking Hollywood: Samuel Fuller's "art house" White Dog -- 5. A Western by Any Other Name: Rainer Werner Fassbinder's Whity -- 6. Cream Rises to the Top: Jean Renoir and William Faulkner's The Southerner -- 7. Supremacy in Black Face: the Boris Vian-Michel Gast Controversy -- 8. Rachid Bouchareb's Comparative Take on Supremacy -- 9. A Post-Racial Imaginary and the Structures of Cinema.
001359052 506__ $$aAccess limited to authorized users.
001359052 520__ $$aVisible and Invisible Whiteness examines the complicity between Classical Hollywood narratives or genres and representations of white supremacy in the cinema. Close readings of D.W. Griffith's The Birth of a Nation by James Agee and James Baldwin explore these authors' perspectives on the American mythologies which ground Griffith's film. The intersectionality of Bordwell's theories on Classical Hollywood Narrative versus Art Cinema and Richard Dyer's seminal work on whiteness forms the theoretical base for the book. Featured films are those which have been undervalued or banned due to their hybrid natures with respect to Hollywood and Art Cinema techniques, such as Samuel Fuller's White Dog and Jean Renoir's The Southerner. The book offers comparative analyses of American studio-based directors as well as European and European émigrés directors. It appeals to scholars of Film Theory, African American and Whiteness Studies. It provides insight for readers concerned about the re-emergence of white supremacist tensions in contemporary America.
001359052 588__ $$aDescription based on print version record.
001359052 650_0 $$aRace discrimination.
001359052 650_0 $$aRace relations.
001359052 655_0 $$aElectronic books
001359052 77608 $$iPrint version: $$z3319767763
001359052 852__ $$bebk
001359052 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-76777-2$$zOnline Access$$91397441.1
001359052 909CO $$ooai:library.usi.edu:1359052$$pGLOBAL_SET
001359052 980__ $$aBIB
001359052 980__ $$aEBOOK
001359052 982__ $$aEbook
001359052 983__ $$aOnline
001359052 994__ $$a92$$bISE