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001359112 001__ 1359112
001359112 003__ OCoLC
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001359112 008__ 181206s2018\\\\xx\\\\\\o\\\\\000\0\eng\d
001359112 019__ $$a1091305179
001359112 020__ $$a9783319971780$$q(electronic book)
001359112 020__ $$a3319971786$$q(electronic book)
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001359112 020__ $$z9783319971773
001359112 020__ $$a9783319971797$$q(print)
001359112 020__ $$a3319971794
001359112 0247_ $$a10.1007/978-3-319-97178-0$$2doi
001359112 035__ $$aSP(OCoLC)1113396993
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001359112 050_4 $$aPN2100-PN2193
001359112 08204 $$a792.09$$223
001359112 1001_ $$aTIAN, MIN.
001359112 24510 $$aUSE OF ASIAN THEATRE FOR MODERN WESTERN THEATRE :$$bthe displaced mirror.
001359112 260__ $$a[Place of publication not identified]$$bSPRINGER INTERNATIONAL PU,$$c2018.
001359112 300__ $$a1 online resource
001359112 336__ $$atext$$btxt$$2rdacontent
001359112 337__ $$acomputer$$bc$$2rdamedia
001359112 338__ $$aonline resource$$bcr$$2rdacarrier
001359112 347__ $$atext file$$bPDF$$2rda
001359112 4901_ $$aPalgrave Studies in Theatre and Performance History
001359112 5050_ $$aChapter 1. Lugné-Poe?s Orientalism as Part of his Mission as an International Dramatic Prospector -- Chapter 2. Appia?s and Craig?s Views of the Japanese Theatre -- Chapter 3. The Use of the Noh by Jacques Copeau and Suzzane Bing -- Chapter 4. Theatre of Transposition: Charles Dullin and the East Asian Theatre -- Chapter 5. Authenticity and Usability, or "Welding the Unweldable": Meyerhold?s Refraction of the Japanese Theatre -- Chapter 6. How Does the Billy-Goat Produce Milk? Sergei Eisenstein?s Disintegration and Reconstitution of Kabuki Theatre -- Chapter 7. "The?Asiatic? Model": The Brechtian Displacement and Refunctioning of the Japanese Theatre -- Conclusion.
001359112 506__ $$aAccess limited to authorized users.
001359112 520__ $$aThis book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W.B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V.E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self- )reflection or, more precisely, a (self- )projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.
001359112 650_0 $$aTheater$$xHistory.
001359112 650_0 $$aTheater.
001359112 650_0 $$aPerforming arts.
001359112 655_0 $$aElectronic books
001359112 77608 $$iPrint version:$$aTIAN, MIN.$$tUSE OF ASIAN THEATRE FOR MODERN WESTERN THEATRE.$$d[Place of publication not identified] SPRINGER INTERNATIONAL PU, 2018$$z3319971778$$z9783319971773$$w(OCoLC)1042352754
001359112 830_0 $$aPalgrave studies in theatre and performance history.
001359112 852__ $$bebk
001359112 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-97178-0$$zOnline Access$$91397441.1
001359112 909CO $$ooai:library.usi.edu:1359112$$pGLOBAL_SET
001359112 980__ $$aBIB
001359112 980__ $$aEBOOK
001359112 982__ $$aEbook
001359112 983__ $$aOnline
001359112 994__ $$a92$$bISE