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1. Down these European mean streets:Contemporary issues in European television crime drama, Kim Toft Hansen, Steven Peacock and Sue Turnbull
Section I: Noir Aesthetics
2. Framing Nordic noir: From Film Noir to High-End Television Drama, Audun Engelstad
3. The Rise of "Bright Noir": Redemption and Moral Optimism in American Contemporary TV Noir, Alberto N. García
4. Melancholy and Murder: Feelings, Atmosphere and Social Criticism in Television Crime Series, Gunhild Agger and Anne Marit Waade
5. Locating sound in UK/US television crime drama: The affective impact of sound effects and music in Happy Valley and Hannibal, Lucy Donaldson
6. Seriousness, ordinariness, and "actual police work": British and American TV crime dramas True Detective, Suspects and Cuffs, Helen Piper
Section II: Noir Regionalism and Transnationalism
7. Local, National, Transnational: Y Gwyll/Hinterland as Crime of/for all Places, Elke Weissmann
8. The transnational appeal of the Italian Mafia story, Milly Buonanno
9. The Rise of Noir in the Sun: Spanish Crime Drama and Contemporary Television Drama Production, Concepción Cascajosa Virino
10. Crime Scene Germany: Regionalism, Audiences, and the German Public Broadcasting System, Susanne Eichner
11. Searching for 'Aura' in Cinayet: Audience Reception of the Turkish Remake of Forbrydelsen, Yesim Kaptan
Section III: Noir Market Value
12. Local noir and local identity: Norskov and the spatial implications of branded content, Jørgen Riber Christensen and Kim Toft Hansen
13. The Flemish TV Market: Crime drama as a driver for market sustainability?, Tim Raats
14. Secret City and Micromarkets: The 'Global Noir Audience' for Australian Crime Drama, Sue Turnbull and Marion McCutcheon
15. Saga's Story: Emotional engagement in the production and reception of The Bridge, Annette Hill.

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