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Intro; Acknowledgements; Contents; Notes on Contributors; "Madness Is Rampant onThis Island": Writing Altered States inAnglophone Caribbean Literature; Centuries ofCrazy; Why theCaribbean?; Part One: Madness Reconsidered; Part Two: Madness asMethodology; Part Three: FromMadness toAltered States; The Roads Not Taken; Works Cited; "Kingston Full ofThem": Madwomen attheCrossroads; Placing Signification; Signifying Place; Connecting theCrossroads; Works Cited; "Fighting Mad toTell Her Story": Madness, Rage, andLiterary Self-Making inJean Rhys andJamaica Kincaid.

The Madwoman intheAttic"Is mad the same as mad mad and mad mad mad?" (Josephs 1); "The Day They Burned theBooks"; My Brother; Conclusion; Works Cited; Madness andSilence inCaryl Phillips's A Distant Shore andIn theFalling Snow; Works Cited; Speaking ofMadness intheFirst Person/Speaking Madness intheSecond Person? Junot Díaz's The Brief Wondrous Life ofOscar Wao and"The Cheater's Guide toLove"; Works Cited; What Is "Worse Besides"? AnEcocritical Reading ofMadness inCaribbean Literature; Works Cited; Performing Delusional Evil: Jamaica Kincaid's The Autobiography ofMy Mother.

Works CitedHorizons ofDesire inCaribbean Queer Speculative Fiction: Marlon James's John Crow's Devil; Works Cited; When Seeing Is Believing: Enduring Injustice inMerle Collins's The Colour ofForgetting; Works Cited; Migrant Madness or Poetics ofSpirit? Teaching Fiction by Erna Brodber andKei Miller; Works Cited; (Re)Locating Madness andProphesy: AnInterview withKei Miller; Index.

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