001359262 000__ 03262cam\a2200589Mi\4500 001359262 001__ 1359262 001359262 003__ OCoLC 001359262 005__ 20230306152838.0 001359262 006__ m\\\\\o\\d\\\\\\\\ 001359262 007__ cr\un\nnnunnun 001359262 008__ 180315s2018\\\\gw\\\\\\o\\\\\000\0\eng\d 001359262 020__ $$a9783319750798 001359262 020__ $$a3319750798 001359262 020__ $$a9783319750781$$q(print) 001359262 020__ $$a331975078X 001359262 020__ $$a9783319750804$$q(print) 001359262 020__ $$a3319750801 001359262 020__ $$a9783030091439$$q(print) 001359262 020__ $$a3030091430 001359262 0247_ $$a10.1007/978-3-319-75079-8$$2doi 001359262 035__ $$aSP(OCoLC)1101374226 001359262 040__ $$aCOO$$beng$$epn$$cCOO$$dOCLCO$$dOCLCF$$dOCLCQ 001359262 043__ $$af------ 001359262 049__ $$aISEA 001359262 050_4 $$aGN643-GN661 001359262 08204 $$a306.096$$223 001359262 1001_ $$aNa?Allah, Abdul-Rasheed.,$$eauthor 001359262 24510 $$aGlobalization, Oral Performance, and African Traditional Poetry /$$cby Abdul-Rasheed Na?Allah. 001359262 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Pivot,$$c2018. 001359262 300__ $$a1 online resource 001359262 336__ $$atext$$btxt$$2rdacontent 001359262 337__ $$acomputer$$bc$$2rdamedia 001359262 338__ $$aonline resource$$bcr$$2rdacarrier 001359262 347__ $$atext file$$bPDF$$2rda 001359262 5050_ $$a1. African Art and the Crisis of Poverty and Social Divisions in a Global Era -- 2. Criticism of African Art and Literature -- 3. Ilorin Traditional Oral Art in the Context of Bourgeois Aesthetics -- 4. A Pact between the Writer and the Oral Performer -- 5. Conclusion. 001359262 506__ $$aAccess limited to authorized users. 001359262 520__ $$aThis book discusses globalization trends and influences on traditional African oral literary performance and the direction that Ilorin oral art is forced to take by the changes of the twenty-first century electronic age. It seeks a new definition of contemporary African bourgeois in terms of their global reach, imitation of foreign forms, and collaboration with the owners of primary agencies. Additionally, it makes a case that African global lords or new bourgeoisie who are largely products of the new global capital and multinational corporations? socio-political and cultural influences fashion their tastes after Western cultures as portrayed in the digital realm. Abdul-Rasheed Na?Allah is Vice-Chancellor, Chief Executive Officer, and Professor of English and Comparative Literature at Kwara State University, Nigeria. He is co-author of Introduction to African Oral Literature and Performance (2005), and author of Africanity, Islamicity and Performativity: Identity in the House of Ilorin (2009), African Discourse in Islam, Oral Traditions, and Performance (2010), and Cultural Globalization And Plurality: Africa and the New World (2011). 001359262 650_0 $$aEthnology$$zAfrica. 001359262 650_0 $$aAfrica-Politics and government. 001359262 650_0 $$aCommunication. 001359262 650_0 $$aAfrican literature. 001359262 650_0 $$aAfrican languages. 001359262 655_0 $$aElectronic books 001359262 77608 $$iPrint version:$$z9783319750781 001359262 77608 $$iPrint version:$$z9783319750804 001359262 77608 $$iPrint version:$$z9783030091439 001359262 852__ $$bebk 001359262 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-75079-8$$zOnline Access$$91397441.1 001359262 909CO $$ooai:library.usi.edu:1359262$$pGLOBAL_SET 001359262 980__ $$aBIB 001359262 980__ $$aEBOOK 001359262 982__ $$aEbook 001359262 983__ $$aOnline 001359262 994__ $$a92$$bISE