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Arab Film and Video Manifestos [electronic resource] : Forty-Five Years of the Moving Image Amid Revolution / by Kay Dickinson.

Dickinson, Kay, author.
2018
PN1993-1999
Available Online
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Title
Arab Film and Video Manifestos [electronic resource] : Forty-Five Years of the Moving Image Amid Revolution / by Kay Dickinson.
Author
Dickinson, Kay, author.
Edition
First edition 2018.
ISBN
3319998013
9783319998015
3319998005
9783319998008
DOI
https://doi.org/10.1007/978-3-319-99801-5.
Published
Cham : Springer International Publishing : Imprint: Palgrave Pivot, 2018.
Language
English
Description
1 online resource (159 pages).
Item Number
10.1007/978-3-319-99801-5. doi
Call Number
PN1993-1999
Dewey Decimal Classification
384.84
Summary
Arab Film and Video Manifestos presents, in their entirety, five key documents that have fundamentally shaken up and helped change the face of image culture in the Middle East and beyond. The book collects together, for the first time, these influential, collectively written calls and directives that span a fifty-year period and hail from a range of different countries. Each urges a radical rethinking of film and video's role in culture, its relation to politics, and its potential to instigate profound change. Kay Dickinson carefully positions the manifestos within their broader socio-historical contexts and provides supplementary reading and viewing suggestions for readers who cannot access Arabic-language sources.
Access Note
Access limited to authorized users.
Series
Palgrave studies in Arab cinema.
Available in Other Form
Print version: 3319998005
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1. Why the Manifesto?
2. The Naksa's New Cinema: New Cinema Group, "Manifesto of New Cinema in Egypt" (1968)
3. Cinematic Third Worldism: "Resolutions of the Third World Filmmakers Meeting" (Algeria, 1973)
4. Cinema within Armed Struggle: "Manifesto of the Palestinian Cinema Group" (1972) and Popular Front for the Liberation of Palestine, "The Cinema and the Revolution"
5. The Images Are the Revolution's": Mosireen, "Revolution Triptych" (2013).

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