001359590 000__ 03298cam\a2200529Mi\4500 001359590 001__ 1359590 001359590 003__ OCoLC 001359590 005__ 20230306153004.0 001359590 006__ m\\\\\o\\d\\\\\\\\ 001359590 007__ cr\nn\nnnunnun 001359590 008__ 190122s2019\\\\gw\a\\\\o\\\\\000\0\eng\d 001359590 019__ $$a1129340868$$a1142699246 001359590 020__ $$a9783030041311 001359590 020__ $$a303004131X 001359590 020__ $$a9783030041304 001359590 020__ $$a3030041301 001359590 0247_ $$a10.1007/978-3-030-04131-1$$2doi 001359590 035__ $$aSP(OCoLC)1086447094$$z(OCoLC)1129340868$$z(OCoLC)1142699246 001359590 040__ $$aLEAUB$$beng$$epn$$cLEAUB$$dOCLCO$$dOCLCF$$dOCLCQ$$dVT2 001359590 049__ $$aISEA 001359590 050_4 $$aPN760.5-PN769 001359590 08204 $$a809.034$$223 001359590 1001_ $$aMays, J. C. C.,$$eauthor 001359590 24510 $$aColeridge's Dejection Ode /$$cby J.C.C. Mays. 001359590 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2019. 001359590 300__ $$a1 online resource (XVII, 281 pages 1 illustration) :$$bonline resource 001359590 336__ $$atext$$btxt$$2rdacontent 001359590 337__ $$acomputer$$bc$$2rdamedia 001359590 338__ $$aonline resource$$bcr$$2rdacarrier 001359590 347__ $$atext file$$bPDF$$2rda 001359590 4901_ $$aNineteenth-Century Major Lives and Letters 001359590 5050_ $$aChapter 1: The Case to be Made -- Chapter 2: How We Got Where We Are As We Cease To Be There -- Chapter 3: Editorial Excursion -- Chapter 4: The Sweet New Style -- Chapter 5: Language and Allusion -- Chapter 6: Shape into Form -- Chapter 7: Understanding Feeling -- Chapter 8 Testing the Pulse -- Chapter 9: Beyond the Poem. 001359590 506__ $$aAccess limited to authorized users. 001359590 520__ $$aColeridge's Dejection Ode completes J.C.C. Mays' analysis of Coleridge's poetry, following Coleridge's Ancient Mariner (Palgrave 2016) and Coleridge's Experimental Poetics (Palgrave 2013). "Dejection: An Ode" stands alone in Coleridge's oeuvre: written at a time of personal crisis, it reaches far back and deeply into his thinking in an attempt to find a poematic solution to ideas and problems he had mulled over for a long time. Mays reveals how the poem also marks the opening of the second half of Coleridge's career as both poet and thinker. In three central chapters Mays examines the new style that evolved in the process of writing the Ode: the technical means of metrics, rhyme and grammar; language and allusion; and symbol and structure. He recounts the complex, sometimes controversial critical history of the Ode, and suggests an editorial solution to the problem created by the Letter to Sara Hutchinson; re-evaluates the position of Wordsworth in the poem apropos the political statement it makes; clarifies the distinction between the views on Imagination expressed and those contained in Biographia Literaria; and traces the links of the concept "dejection" as it underpins Coleridge's late poems. 001359590 650_0 $$aLiterature, Modern$$y19th century. 001359590 650_0 $$aPoetry. 001359590 650_0 $$aBritish literature. 001359590 655_0 $$aElectronic books 001359590 77608 $$iPrint version:$$z9783030041304 001359590 77608 $$iPrint version:$$z9783030041328 001359590 830_0 $$aNineteenth-century major lives and letters. 001359590 852__ $$bebk 001359590 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-04131-1$$zOnline Access$$91397441.1 001359590 909CO $$ooai:library.usi.edu:1359590$$pGLOBAL_SET 001359590 980__ $$aBIB 001359590 980__ $$aEBOOK 001359590 982__ $$aEbook 001359590 983__ $$aOnline 001359590 994__ $$a92$$bISE