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001359643 001__ 1359643
001359643 003__ OCoLC
001359643 005__ 20230306153007.0
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001359643 008__ 180910s2019\\\\gw\\\\\\o\\\\\000\0\eng\d
001359643 019__ $$a1096835880$$a1156337384$$a1162742763
001359643 020__ $$a9783319974248
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001359643 020__ $$a9783319974231$$q(print)
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001359643 020__ $$a9783319974255$$q(print)
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001359643 0247_ $$a10.1007/978-3-319-97424-8$$2doi
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001359643 050_4 $$aE171-E183.9
001359643 08204 $$a973$$223
001359643 1001_ $$aPeknik, Patricia.,$$eauthor
001359643 24510 $$aFrench Louisiana Music and Its Patrons :$$bthe Popularization and Transformation of a Regional Sound /$$cby Patricia Peknik.
001359643 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2019.
001359643 300__ $$a1 online resource (x, 223 pages) :$$bonline resource
001359643 336__ $$atext$$btxt$$2rdacontent
001359643 337__ $$acomputer$$bc$$2rdamedia
001359643 338__ $$aonline resource$$bcr$$2rdacarrier
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001359643 5050_ $$a1. Introduction: "A Wild and Ferocious Waltz" -- 2. French Louisiana Music from Home and Dancehall to Fred's Lounge and Radio -- 3. From the War on French to the War in France: World War II and Cultural Identity -- 4. "It's all French Music": Patrons on the Trail -- 5. Brand New Old-Time Southern Americana: Harry Smith's Anthology Brings French Louisiana Music into the Folk Canon -- 6. "I want you to be/just like you used to be, darling": Choreographing the Newport Waltz -- 7. Utter Strangers: The English and French Language Movements -- 8. "Les metamorphoses": Civil Rights, Ethnic Revival, and New Regional Sounds -- 9. Postscript.
001359643 506__ $$aAccess limited to authorized users.
001359643 520__ $$aFrench Louisiana music emerged from the bayous and prairies of Southwest Louisiana in the late nineteenth and early twentieth centuries. Pioneered by impoverished Acadian and Afro-Caribbean settlers, the sound is marked by a high-pitched fiddle playing loud and fast above the bellow of a diatonic accordion. With lyrics about disaster and heartache sung cheerfully in a French dialect, the effect is dissonant and haunting. French Louisiana music was largely ignored in mainstream music culture, except by a handful of collectors, scholars, and commercial promoters who sought to popularize it. From the first recordings in the 1920s to the transformation of the genre by the 1970s, the spread of this regional sound was driven by local, national, and international elites who saw the music's traditions and performers in the context of larger social, political, and cultural developments, including the folk revival and the civil rights and ethnic revival movements. Patricia Peknik illuminates how the music's history and meaning were interpreted by a variety of actors who brought the genre onto a national and global stage, revealing the many interests at work in the popularization of a regional music.
001359643 650_0 $$aUnited States-History.
001359643 650_0 $$aCivilization$$xHistory.
001359643 650_0 $$aSocial history.
001359643 650_0 $$aMusic.
001359643 655_0 $$aElectronic books
001359643 77608 $$iPrint version:$$z9783319974231
001359643 77608 $$iPrint version:$$z9783319974255
001359643 77608 $$iPrint version:$$z9783030073541
001359643 852__ $$bebk
001359643 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-97424-8$$zOnline Access$$91397441.1
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001359643 980__ $$aBIB
001359643 980__ $$aEBOOK
001359643 982__ $$aEbook
001359643 983__ $$aOnline
001359643 994__ $$a92$$bISE