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001359784 001__ 1359784
001359784 003__ OCoLC
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001359784 019__ $$a1088992391$$a1099643074$$a1107344887$$a1156326884
001359784 020__ $$a9783319916743
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001359784 020__ $$a9783319916736
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001359784 0247_ $$a10.1007/978-3-319-91674-3$$2doi
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001359784 050_4 $$aCB3-CB481
001359784 08204 $$a306.09$$223
001359784 1001_ $$aGlen, Patrick.,$$eauthor
001359784 24510 $$aYouth and Permissive Social Change in British Music Papers, 1967-1983 /$$cby Patrick Glen.
001359784 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2019.
001359784 300__ $$a1 online resource (VII, 251 pages) :$$bonline resource
001359784 336__ $$atext$$btxt$$2rdacontent
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001359784 338__ $$aonline resource$$bcr$$2rdacarrier
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001359784 4901_ $$aPalgrave Studies in the History of Subcultures and Popular Music
001359784 5050_ $$a1. Introduction: A Sea of Possibilities -- 2. Hungry Freaks, Well-fed Entertainers: Something Different in the Music Press -- 3. This is the Beginning of a New Age: New Papers, New Editors and the Underground -- 4. 'Obligatory Cosmopolitan Musical Viewpoint'?: Gender and Sexuality in the 1970s Music Press -- 5. 'The Titanic Sails at Dawn': Punk Papers, Class, Youth and Deviance -- 6. 'Too Much Paranoias?': The Beginning of the End for the Inkies -- 7. Conclusions: Goodnight to the Rock and Roll Era?
001359784 506__ $$aAccess limited to authorized users.
001359784 520__ $$aThis book is a work of press history that considers how the music press represented permissive social change for their youthful readership. Read by millions every week, the music press provided young people across the country with a guide to the sounds, personalities and controversies that shaped British popular music and, more broadly, British culture and society. By analysing music papers and oral history interviews with journalists and editors, Patrick Glen examines how papers represented a lucrative entertainment industry and mass press that had to negotiate tensions between alternative sentiments and commercial prerogatives. This book demonstrates, as a consequence, how music papers constructed political positions, public identities and social mores within the context of the market. As a result, descriptions and experiences of social change and youth were contingent on the understandings of class, gender, sexuality, race and locality.
001359784 650_0 $$aCivilization$$xHistory.
001359784 650_0 $$aGreat Britain-History.
001359784 650_0 $$aSocial history.
001359784 650_0 $$aEurope-History-1492-
001359784 650_0 $$aPrinting.
001359784 655_0 $$aElectronic books
001359784 77608 $$iPrint version: $$z9783319916736
001359784 77608 $$iPrint version: $$z9783319916750
001359784 830_0 $$aPalgrave studies in the history of subcultures and popular music.
001359784 852__ $$bebk
001359784 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-91674-3$$zOnline Access$$91397441.1
001359784 909CO $$ooai:library.usi.edu:1359784$$pGLOBAL_SET
001359784 980__ $$aBIB
001359784 980__ $$aEBOOK
001359784 982__ $$aEbook
001359784 983__ $$aOnline
001359784 994__ $$a92$$bISE