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001359797 001__ 1359797
001359797 003__ OCoLC
001359797 005__ 20230306153015.0
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001359797 019__ $$a1156385175
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001359797 0247_ $$a10.1007/978-3-030-02414-7$$2doi
001359797 035__ $$aSP(OCoLC)1097052581$$z(OCoLC)1156385175
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001359797 049__ $$aISEA
001359797 050_4 $$aPN770-PN779
001359797 08204 $$a809.04$$223
001359797 1001_ $$aCharteris, Charlotte.,$$eauthor
001359797 24514 $$aThe Queer Cultures of 1930s Prose :$$bLanguage, Identity and Performance in Interwar Britain /$$cby Charlotte Charteris.
001359797 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2019.
001359797 300__ $$a1 online resource (IX, 285 pages) :$$bonline resource
001359797 336__ $$atext$$btxt$$2rdacontent
001359797 337__ $$acomputer$$bc$$2rdamedia
001359797 338__ $$aonline resource$$bcr$$2rdacarrier
001359797 347__ $$atext file$$bPDF$$2rda
001359797 5050_ $$aIntroduction: Language, Identity and Performance -- Part I: Christopher Isherwood and the Auden Generation -- Part II: Evelyn Waugh and the Bright Young People -- Part III: Patrick Hamilton and the Fitzrovians -- Afterword: James Hanley and the Liverpool-Irish -- Select Bibliography -- Index.
001359797 506__ $$aAccess limited to authorized users.
001359797 520__ $$aOffering a radical reassessment of 1930s British literature, this volume questions the temporal limits of the literary decade, and broadens the scope of queer literary studies to consider literary-historical responses to a variety of behaviours encompassed by the term 'queer' in its many senses. Whilst it is informed by the history of sexuality in twentieth-century Europe, it is also profoundly concerned with what Christopher Isherwood termed 'the market value of the Odd.' Drawing, for its methodology, on the work of Raymond Williams, it traces the impact of the Great War on the development of language, examining the use of ten 'keywords' in the prose of Christopher Isherwood, Evelyn Waugh and Patrick Hamilton, and that of their respective literary milieux, in order to establish how queer lives and modern sub-cultural identities were forged collaboratively within the fictional realm. By utilizing contemporary perspectives on performativity in conjunction with detailed close readings it repositions these authors as self-conscious agents actively producing their own queer masculinities through calculated acts of linguistic transgression.
001359797 650_0 $$aLiterature, Modern$$y20th century.
001359797 650_0 $$aQueer theory.
001359797 650_0 $$aComparative literature.
001359797 650_0 $$aBritish literature.
001359797 650_0 $$aLinguistics$$xPhilosophy.
001359797 655_0 $$aElectronic books
001359797 77608 $$iPrint version: $$z9783030024130
001359797 77608 $$iPrint version: $$z9783030024154
001359797 852__ $$bebk
001359797 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-02414-7$$zOnline Access$$91397441.1
001359797 909CO $$ooai:library.usi.edu:1359797$$pGLOBAL_SET
001359797 980__ $$aBIB
001359797 980__ $$aEBOOK
001359797 982__ $$aEbook
001359797 983__ $$aOnline
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