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001359802 001__ 1359802
001359802 003__ OCoLC
001359802 005__ 20230306153016.0
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001359802 008__ 180917s2019\\\\gw\\\\\\o\\\\\000\0\eng\d
001359802 019__ $$a1156332356$$a1162753923
001359802 020__ $$a9783319956091
001359802 020__ $$a3319956094
001359802 020__ $$a9783319956084$$q(print)
001359802 020__ $$a3319956086
001359802 020__ $$a9783319956107$$q(print)
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001359802 0247_ $$a10.1007/978-3-319-95609-1$$2doi
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001359802 08204 $$a941$$223
001359802 1001_ $$aDibbs, Martin.,$$eauthor
001359802 24510 $$aRadio Fun and the BBC Variety Department, 1922-67 :$$bComedy and Popular Music on Air /$$cby Martin Dibbs.
001359802 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2019.
001359802 300__ $$a1 online resource (XX, 298 pages) :$$bonline resource
001359802 336__ $$atext$$btxt$$2rdacontent
001359802 337__ $$acomputer$$bc$$2rdamedia
001359802 338__ $$aonline resource$$bcr$$2rdacarrier
001359802 347__ $$atext file$$bPDF$$2rda
001359802 4901_ $$aPalgrave Studies in the History of the Media
001359802 5050_ $$aChapter One: Introduction -- Chapter Two: 1922-1933: Variety before Variety -- Chapter Three: 1933-1939: The Show Begins -- Chapter Four: 1939-1945: 'We will be working under difficulties' -- Chapter Five: 1945-1955: A Golden Age for Radio Comedy -- Chapter Six: 1956-1967: Sound Into Vision: Popular Into Pop -- Chapter Seven: Coda -- Sources and Further Reading -- Index.
001359802 506__ $$aAccess limited to authorized users.
001359802 520__ $$aThis book provides a narrative history of the BBC Radio Variety Department exploring, along chronological lines, the workings of, tensions within and the impact of BBC policies on the programme-making department which generated the organisation's largest audiences. It provides an insight into key events, personalities, programmes, internal politics and trends in popular entertainment, censorship and anti-American policy as they individually or collectively affected the Department. Martin Dibbs examines how the Department's programmes became markers in the daily and weekly lives of millions of listeners, and helped shape the nation's listening habits when radio was the dominant source of domestic entertainment. The book explores events and topics which, while not directly forming part of the Variety Department's history, nevertheless intersected with or had an impact on it. Such topics include the BBC's attitude to jazz and rock and roll, the arrival of television with its impact on radio, the pirate radio stations, and the Popular Music and Gramophone Departments, both of whom worked closely with the Variety Department.
001359802 647_7 $$aWorld War$$d(1939-1945)$$2fast$$0(OCoLC)fst01180924
001359802 650_0 $$aGreat Britain-History.
001359802 650_0 $$aSocial history.
001359802 650_0 $$aWorld War, 1939-1945.
001359802 650_0 $$aCivilization$$xHistory.
001359802 650_0 $$aJournalism.
001359802 655_0 $$aElectronic books
001359802 77608 $$iPrint version: $$z9783319956084
001359802 77608 $$iPrint version: $$z9783319956107
001359802 830_0 $$aPalgrave studies in the history of the media.
001359802 852__ $$bebk
001359802 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-95609-1$$zOnline Access$$91397441.1
001359802 909CO $$ooai:library.usi.edu:1359802$$pGLOBAL_SET
001359802 980__ $$aBIB
001359802 980__ $$aEBOOK
001359802 982__ $$aEbook
001359802 983__ $$aOnline
001359802 994__ $$a92$$bISE