Philosophy in Stan Brakhage's Dog Star Man : World, Metaphor, Interpretation / by Alberto Baracco.
Baracco, Alberto.
2019
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Title Philosophy in Stan Brakhage's Dog Star Man : World, Metaphor, Interpretation / by Alberto Baracco.
Author Baracco, Alberto.
ISBN 9783030124267
3030124266
9783030124250 (print)
3030124258
9783030124274 (print)
3030124274
9783030124281 (print)
3030124282
DOI https://doi.org/10.1007/978-3-030-12426-7
Imprint Cham : Springer International Publishing : Imprint : Palgrave Pivot, 2019.
Language English
Description 1 online resource (XVIII, 144 pages 46 illustrations, 32 illustrations in color.) : online resource
Other Standard Identifiers 10.1007/978-3-030-12426-7 doi
Dewey Decimal Classification 142.7
Summary This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage's Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.
Access Note Access limited to authorized users.
Digital File Characteristics text file PDF
Available in Other Form Print version: 9783030124250
Print version: 9783030124274
Print version: 9783030124281
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Chapter 1: Introduction
Chapter 2: DSM and Philosophy
Chapter 3: Understanding DSM's Film World
Chapter 4: Explaining DSM's Film World
Chapter 5: Critical Understanding of DSM's Film World
Chapter 6: Conclusion.

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