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001359856 001__ 1359856
001359856 003__ OCoLC
001359856 005__ 20230306153019.0
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001359856 020__ $$a9783030124267
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001359856 020__ $$a9783030124250$$q(print)
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001359856 020__ $$a9783030124274$$q(print)
001359856 020__ $$a3030124274
001359856 020__ $$a9783030124281$$q(print)
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001359856 0247_ $$a10.1007/978-3-030-12426-7$$2doi
001359856 035__ $$aSP(OCoLC)1103258465
001359856 040__ $$aVT2$$beng$$epn$$cVT2$$dOCLCO$$dOCLCF$$dOCLCQ
001359856 049__ $$aISEA
001359856 08204 $$a142.7$$223
001359856 1001_ $$aBaracco, Alberto.
001359856 24510 $$aPhilosophy in Stan Brakhage's Dog Star Man :$$bWorld, Metaphor, Interpretation /$$cby Alberto Baracco.
001359856 260__ $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Pivot,$$c2019.
001359856 300__ $$a1 online resource (XVIII, 144 pages 46 illustrations, 32 illustrations in color.) :$$bonline resource
001359856 336__ $$atext$$btxt$$2rdacontent
001359856 337__ $$acomputer$$bc$$2rdamedia
001359856 338__ $$aonline resource$$bcr$$2rdacarrier
001359856 347__ $$atext file$$bPDF$$2rda
001359856 5050_ $$aChapter 1: Introduction -- Chapter 2: DSM and Philosophy -- Chapter 3: Understanding DSM's Film World -- Chapter 4: Explaining DSM's Film World -- Chapter 5: Critical Understanding of DSM's Film World -- Chapter 6: Conclusion.
001359856 506__ $$aAccess limited to authorized users.
001359856 520__ $$aThis book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage's Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.
001359856 650_0 $$aPhenomenology.
001359856 650_0 $$aMotion pictures.
001359856 650_0 $$aHermeneutics.
001359856 655_0 $$aElectronic books
001359856 77608 $$iPrint version:$$z9783030124250
001359856 77608 $$iPrint version:$$z9783030124274
001359856 77608 $$iPrint version:$$z9783030124281
001359856 852__ $$bebk
001359856 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-12426-7$$zOnline Access$$91397441.1
001359856 887__ $$aB829.5.A-829.5.Z
001359856 909CO $$ooai:library.usi.edu:1359856$$pGLOBAL_SET
001359856 980__ $$aBIB
001359856 980__ $$aEBOOK
001359856 982__ $$aEbook
001359856 983__ $$aOnline
001359856 994__ $$a92$$bISE