Philosophy in Stan Brakhage's Dog Star Man [electronic resource] : World, Metaphor, Interpretation / by Alberto Baracco.

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Philosophy in Stan Brakhage's Dog Star Man [electronic resource] : World, Metaphor, Interpretation / by Alberto Baracco.

9783030124267
3030124266
9783030124250 (print)
3030124258
9783030124274 (print)
3030124274
9783030124281 (print)
3030124282

Cham : Springer International Publishing : Imprint : Palgrave Pivot, 2019.

English

1 online resource (XVIII, 144 pages 46 illustrations, 32 illustrations in color.) : online resource

10.1007/978-3-030-12426-7 doi

142.7

This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage's Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.

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Print version: 9783030124250
Print version: 9783030124274
Print version: 9783030124281

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