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Table of Contents
Acknowledgments
Notes on Contributors
Foreword: Non-Representational Dreams
1 Creative Practice and the Non-Representational
Part 1 Situated Practices in Art, Craft and Design
2 Geo/graphic Design
3 Geologic Landscape: A Performance and a Wrecked Mobile Phone
4 Micro-Geographies of the Studio
5 Making, Knowing and Being Made: Hand-Stitching Beyond Representation
6 Feeling Queer Art in Public: The Gay Liberation Monument
Part 2 Artistic Engagements with Geography
7 Affecting Objects: Enacting Gesture within a Performative Research Enquiry
8 Circadian Rhythms, Sunsets, and the Representational Thresholds of Time-Lapse Photography
9 'Call That Art? I Call It Bad Eyesight': Seeing or Not Seeing in the Context of Responsive Art Practice
10 Forward, Back, Together
and the Materialities of Taking Part
11 Where Does 'Your' Space End and the Next Begin? Non-Representational Geographies of Improvised Performance
Part 3 Geographers Exploring Artistic Practice
12 Making Theatre That Matters: Troubling Subtext, Motive, and Intuition
13 Creativity, Labour, and Captain Cook's Cottage: From Great Ayton to Fitzroy Gardens
14 Material Conditions in the Post-Human City
15 Attuning to the Geothermal-Urban: Kinetics, Cinematics, and Digital Elementality
16 Thresholds of Representation: Physical Disability in Dance and Perceptions of the Moving Body
Interlude: Supervising
Part 4 Sound, Music, and Creative Mobilities
17 Audio Recording as Performance
18 Psy(co)motion: Anti-Production and Détournement in Affective Musical Cartographies
19 Walk with Me
20 Imaginal Travel: An Expedition in Fine Art Practice in Search of the Loneliest Palm
21 Fragments (formerly Tales from the Asylum)
22 On Edge: Writing Non-Representational Journeys
Afterword: Sensing the World Anew.
Notes on Contributors
Foreword: Non-Representational Dreams
1 Creative Practice and the Non-Representational
Part 1 Situated Practices in Art, Craft and Design
2 Geo/graphic Design
3 Geologic Landscape: A Performance and a Wrecked Mobile Phone
4 Micro-Geographies of the Studio
5 Making, Knowing and Being Made: Hand-Stitching Beyond Representation
6 Feeling Queer Art in Public: The Gay Liberation Monument
Part 2 Artistic Engagements with Geography
7 Affecting Objects: Enacting Gesture within a Performative Research Enquiry
8 Circadian Rhythms, Sunsets, and the Representational Thresholds of Time-Lapse Photography
9 'Call That Art? I Call It Bad Eyesight': Seeing or Not Seeing in the Context of Responsive Art Practice
10 Forward, Back, Together
and the Materialities of Taking Part
11 Where Does 'Your' Space End and the Next Begin? Non-Representational Geographies of Improvised Performance
Part 3 Geographers Exploring Artistic Practice
12 Making Theatre That Matters: Troubling Subtext, Motive, and Intuition
13 Creativity, Labour, and Captain Cook's Cottage: From Great Ayton to Fitzroy Gardens
14 Material Conditions in the Post-Human City
15 Attuning to the Geothermal-Urban: Kinetics, Cinematics, and Digital Elementality
16 Thresholds of Representation: Physical Disability in Dance and Perceptions of the Moving Body
Interlude: Supervising
Part 4 Sound, Music, and Creative Mobilities
17 Audio Recording as Performance
18 Psy(co)motion: Anti-Production and Détournement in Affective Musical Cartographies
19 Walk with Me
20 Imaginal Travel: An Expedition in Fine Art Practice in Search of the Loneliest Palm
21 Fragments (formerly Tales from the Asylum)
22 On Edge: Writing Non-Representational Journeys
Afterword: Sensing the World Anew.