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001359965 001__ 1359965
001359965 003__ OCoLC
001359965 005__ 20230306152929.0
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001359965 020__ $$a9783030061821$$q(electronic book)
001359965 020__ $$a3030061825$$q(electronic book)
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001359965 020__ $$z9783030061814
001359965 035__ $$aSP(OCoLC)1113881995
001359965 040__ $$aUAB$$beng$$cUAB$$dOCLCO$$dOCLCF$$dESU$$dUAB$$dOCL$$dOCLCO
001359965 049__ $$aISEA
001359965 050_4 $$aPN2000-3307
001359965 08204 $$a792$$223
001359965 1001_ $$aRodríguez, Verónica.
001359965 24510 $$aDavid Greigs Holed Theatre :$$bGlobalization, Ethics and the Spectator /$$cby Verónica Rodríguez.
001359965 260__ $$aCham :$$bSpringer International Publishing,$$c2019.
001359965 300__ $$a1 online resource
001359965 336__ $$atext$$btxt$$2rdacontent
001359965 337__ $$acomputer$$bc$$2rdamedia
001359965 338__ $$aonline resource$$bcr$$2rdacarrier
001359965 5050_ $$a1. Introduction: A Shamanic Semionaut -- 2. Holed Theatre as Response to Globalization -- 3. From Ethics to the Politics of Aesthethics -- 4. Affect and the Holed Spectator: Ecology of Transfers -- 5. Europe: Globalization's Inferiors -- 6. The Architect: Blowing Up Architectures of Power -- 7. The Cosmonaut's Last Message to the Woman He Once Loved in the Former Soviet Union: "All this Fucking Beautiful Stuff" -- 8. San Diego: Stitching up the Globe -- 9. The American Pilot: A Precarious Restoration to 'the Real' -- 10. Damascus: Trouma -- 11. Fragile: Sharing Doing and Spatial Transcorporeality -- 12. The Events: Confounding Spacecraft -- Here -- 13. Conclusion: World-Forming Theatre.
001359965 506__ $$aAccess limited to authorized users.
001359965 520__ $$aWith a Foreword by Dan Rebellato, this book offers up a detailed exploration of Scottish playwright David Greig's work with particular attention to globalization, ethics, and the spectator. It makes the argument that Greig's theatre works by undoing, cracking, or breaking apart myriad elements to reveal the holed, porous nature of all things. Starting with a discussion of Greig's engagement with shamanism and arguing for holed theatre as a response to globalization, for Greig's works' politics of aesthethics, and for the holed spectator as part of an affective ecology of transfers, this book discusses some of Greig's most representative political theatre from Europe (1994) to The Events (2013), concluding with an exploration of Greig's theatre's world-forming quality.
001359965 60010 $$aGreig, David$$xCriticism and interpretation.
001359965 650_0 $$aEnglish drama$$y21st century$$xHistory and criticism.
001359965 650_0 $$aPolitical plays, English$$zScotland$$xHistory and criticism.
001359965 650_0 $$aGlobalization in literature.
001359965 655_0 $$aElectronic books
001359965 77608 $$iPrint version: $$z3030061817$$z9783030061814$$w(OCoLC)1072002879
001359965 852__ $$bebk
001359965 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-06182-1$$zOnline Access$$91397441.1
001359965 909CO $$ooai:library.usi.edu:1359965$$pGLOBAL_SET
001359965 980__ $$aBIB
001359965 980__ $$aEBOOK
001359965 982__ $$aEbook
001359965 983__ $$aOnline
001359965 994__ $$a92$$bISE