001360198 000__ 03091cam\a2200541Mi\4500
001360198 001__ 1360198
001360198 003__ OCoLC
001360198 005__ 20230306152942.0
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001360198 007__ cr\\n\nnnunnun
001360198 008__ 190221s2019\\\\gw\\\\\\o\\\\\|||\0\eng\d
001360198 020__ $$a9783030061401
001360198 020__ $$a303006140X
001360198 020__ $$a9783030061395$$q(print)
001360198 020__ $$a3030061396
001360198 020__ $$a9783030061418$$q(print)
001360198 020__ $$a3030061418
001360198 0247_ $$a10.1007/978-3-030-06140-1$$2doi
001360198 035__ $$aSP(OCoLC)1156331546
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001360198 049__ $$aISEA
001360198 08204 $$a792.09$$223
001360198 1001_ $$aPinnington, Noel John.
001360198 24512 $$aA New History of Medieval Japanese Theatre :$$bNoh and Kyōgen from 1300 to 1600 /$$cby Noel John Pinnington.
001360198 250__ $$a1st ed. 2019.
001360198 260__ $$aCham :$$bSpringer International Publishing :$$bImprint: Palgrave Macmillan,$$c2019.
001360198 300__ $$a1 online resource (IX, 225 p. :)$$bonline resource.
001360198 336__ $$atext$$btxt$$2rdacontent
001360198 337__ $$acomputer$$bc$$2rdamedia
001360198 338__ $$aonline resource$$bcr$$2rdacarrier
001360198 347__ $$atext file$$bPDF$$2rda
001360198 4901_ $$aPalgrave Studies in Theatre and Performance History
001360198 5050_ $$a1. Contexts: Japan in the Muromachi Age -- 2. Forerunners of Noh Theatre -- 3. Early Noh and its Founders -- 4. Noh in Zeami's Lifetime -- 5. The Classic Noh Plays -- 6. Noh in the Age of Chaos 1450-1600 -- 7. Medieval Kyōgen.
001360198 506__ $$aAccess limited to authorized users.
001360198 520__ $$aThis book traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. It is based on contemporary research in Japan, Asia, Europe and America, and embraces current ideas of theatre history, providing a richly contextualized account which looks closely at theatrical forms and genres as they arose. The masked drama of noh, with its ghosts, chanting and music, and its use in Japanese films, has been the object of modern international interest. However, audiences are often confused as to what noh actually is. This book attempts to answer where noh came from, what it was like in its day, and what it was for. To that end, it contains sections which discuss a number of prominent noh plays in their period and challenges established approaches. It also contains the first detailed study in English of the kyōgen repertoire of the sixteenth-century.
001360198 650_0 $$aTheater$$xHistory.
001360198 650_0 $$aTheater.
001360198 655_0 $$aElectronic books
001360198 77608 $$iPrint version:$$z9783030061395
001360198 77608 $$iPrint version:$$z9783030061418
001360198 830_0 $$aPalgrave studies in theatre and performance history.
001360198 852__ $$bebk
001360198 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-06140-1$$zOnline Access$$91397441.1
001360198 887__ $$aPN2100-2193
001360198 909CO $$ooai:library.usi.edu:1360198$$pGLOBAL_SET
001360198 980__ $$aBIB
001360198 980__ $$aEBOOK
001360198 982__ $$aEbook
001360198 983__ $$aOnline
001360198 994__ $$a92$$bISE