Introduction: Classical Hollywood and Transnational Culture / Anna Cooper and Russell Meeuf
Part I: Islands and Identity
Isles of Fright: Gothic Tropics and Island Horror / Louis Bayman
Charlie Chan's Multicolored Passport: Territorial Hawaii and Classical Hollywood's Transnational "Foreign" Detective / Elizabeth Rawitsch
"The Jungle Is My Home": Questions of Belonging, Exile, and the Negotiation of Foreign Spaces in the Tarzan Films of Johnny Weissmuller / Gábor Gergely
Inhabiting the Space of the Other: Josef von Sternberg's Anatahan / Edward K. Chan
Part 2: European Vacations
America's Travelogue Romance with Italy, 1953-1969 / Ian Jarvie
Prestige Film Aesthetics and Europeanized Hollywood in the 1950s / Chris Cagle
"Our Love Is Here to Stay": Transatlantic Relations in 1950s Hollywood Musicals about Paris / Anna Cooper
Part 3: Desert and Savannah Adventures
In the Foucauldian Mirror: Budd Boetticher's Mexico and the United States in the 1950s / Saverio Giovacchini
From the Pampas to the Jockey Club: Familiar Exoticism in Hollywood's Argentina / Fernando Gabriel Pagnoni Berns, Mariana Zárate, and Patricia Haydee Vazquez
John Wayne's Africa: European Colonialism versus U. S. Global Leadership in Legend of the Lost (1957) / Russell Meeuf.