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Chapter 1. Introduction
Part I. Phenomenology and Performance: Chapter 2. The Essential Question: So What's Phenomenological About Performance Phenomenology? ; Chapter 3. Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their Implications ; Chapter 4. The Unnamed Origin of the Performative in Heidegger's Interpretation of Aristotelian Phronēsis
Part II. Phenomenology of Performance: Chapter 5. A Phenomenology of Being Seen ; Chapter 6. 'A Unique Way of Being': The Place of Music in Merleau-Ponty's Phenomenology of Perception ; Chapter 7. Foregrounding the Imagination: Re-reflecting on Dancers' Engagement with Video Self-recordings ; Chapter 8. Sensing Film Performance; Chapter 9. Phenomenologically Absurd, Absurdly Phenomenological
Part III. Performance as Phenomenology/Phenomenology as Performance: Chapter 10. On Not Being Able to Dance: The Interring ; Chapter 11. Performance Criticism: Live Writing as Phenomenological Poiēsis ; Chapter 12. The Erotic Reduction: Crossed Flesh in Lea Anderson's The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele ; Chapter 13. Sound Design: A Phenomenology.

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