001373762 000__ 04108cam\\2200589\i\4500 001373762 001__ 1373762 001373762 003__ OCoLC 001373762 005__ 20210903003138.0 001373762 008__ 210421t20212021ja\af\\\\b\\\\000\0\eng\d 001373762 010__ $$a2020436518 001373762 020__ $$a9784866581804$$q(hardcover) 001373762 020__ $$a4866581808$$q(hardcover) 001373762 035__ $$a(OCoLC)1246723509 001373762 040__ $$aKEI$$beng$$erda$$cKEI$$dKGG$$dABJ$$dBNG$$dDLC$$dOWS$$dOCLCF$$dOCLCO$$dVP@$$dKMS$$dOWU$$dOCLCO$$dUIU$$dGZN$$dOCLCO$$dEAU$$dKKU$$dNGU$$dZLM$$dOCL$$dCBY$$dIAC$$dISE 001373762 0411_ $$aeng$$hjpn 001373762 043__ $$aa-ja---$$ae------ 001373762 049__ $$aISEA 001373762 05000 $$aN7353$$b.T23613 2021 001373762 08214 $$a709.52 T13j 001373762 1001_ $$aTakashina, Shūji,$$d1932-$$eauthor. 001373762 24010 $$aNihon bijutsu o miru me.$$lEnglish 001373762 24510 $$aJapanese art in perspective :$$bEast-West encounters /$$cTakashina Shūji ; translated by Matt Treyvaud. 001373762 24633 $$aNihon bijutsu o miru me :$$bHigashi to Nishi no deai : zōho : Eibunban 001373762 250__ $$aFirst English edition. 001373762 264_1 $$aTokyo, Japan :$$bJapan Publishing Industry Foundation for Culture,$$c2021. 001373762 264_4 $$c©2021 001373762 300__ $$a191 pages, viii pages of plates :$$billustrations (some color) ;$$c22 cm. 001373762 336__ $$atext$$btxt$$2rdacontent 001373762 336__ $$astill image$$bsti$$2rdacontent 001373762 337__ $$aunmediated$$bn$$2rdamedia 001373762 338__ $$avolume$$bnc$$2rdacarrier 001373762 4901_ $$aJapan library 001373762 500__ $$a"This book is a translation of Zōho Nihon bijutsu o miru me: Higathi to Nishi no deai, which was published by Iwanami Shoten, Publishers, Tokyo, first in hardcover in 1991, follwed by a paperback edition in 1996, and then republished in 2009 with additional essays." -- colophon. 001373762 504__ $$aIncludes bibliographical references. 001373762 50500 $$gPreface to the English edition --$$gPart 1.$$tMethods of Japanese art.$$gchapter 1.$$tThe character of Japanese aesthetics --$$gchapter 2.$$tObject and form --$$gchapter 3.$$tForms of seeing, East and West --$$gchapter 4.$$tThe "trailing bough" motif --$$gchapter 5.$$tThe art of the journey --$$gchapter 6.$$tThe principle of ornamentation --$$gPart II.$$tEast-West encounters.$$gchapter 7.$$tEast and West in Meiji painting --$$gchapter 8.$$tThe avant-garde in Japanese art --$$gchapter 9.$$tJapanese academism --$$gchapter 10.$$tSome problems of Japonisme --$$gPart III.$$tPassing beauty, returning memory.$$gchapter 11.$$tThe aesthetics of transition: the four seasons and the Japanese sense of beauty --$$gchapter 12.$$t"The color of the flowers": symphonies of image and word --$$gchapter 13.$$tThe heritage of memory: intangible culture as Japanese tradition -- Afterword -- Afterword to the expanded edition -- Original publication details. 001373762 520__ $$aHow do Japanese and Western aesthetics differ? In this comparative cultural study, the author, a leading scholar of Western art history and insightful commentator on Japanese art, compares the two artistic traditions to reveal the distinctive characteristics of the Japanese sense of beauty. The first section of the book, Methods of Japanese Art, uses examples and cross-cultural comparisons to elucidate the techniques by which Japanese artists cultivated their unique approach. These include roving rather than fixed perspective, the 'aesthetic of negation' - excising the unnecessary to emphasize what remains - and the 'trailing bough' motif, which evokes a world beyond the work's borders and influenced Western artists such as Monet. In the second section, East-West Encounters, the book examines the history of cultural interaction between Japan and the West from the early modern period on and its influence on the art of both. The third section, Passing Beauty, Returning Memory, contains essays on Japanese culture more broadly, including its preference for recurring forms over fixed monuments and its tradition of combining multiple seasons in a single image. This book is a guide not only to the art of Japan but to the essence of its spiritual culture. --$$cFrom publisher's description. 001373762 648_7 $$aTo 1912$$2fast 001373762 650_0 $$aArt, Japanese$$yTo 1868. 001373762 650_0 $$aPainting, Japanese$$yMeiji period, 1868-1912. 001373762 650_0 $$aPainting, Japanese$$xEuropean influences. 001373762 650_0 $$aComparative arts. 001373762 7001_ $$aTreyvaud, Matt,$$etranslator.$$4trl 001373762 7650_ $$tNihon bijutsu o miru me.$$bzōho.$$dTōkyō : Iwanami shoten, 2009. 001373762 830_0 $$aJapan library (Shuppan Bunka Sangyō Shinkō Zaidan) 001373762 852__ $$bgen$$hN7353$$i.T23613 2021 001373762 909CO $$ooai:library.usi.edu:1373762$$pGLOBAL_SET 001373762 980__ $$aBOOK 001373762 980__ $$aBIB