Singing like Germans : Black musicians in the land of Bach, Beethoven, and Brahms / Kira Thurman.
2021
ML3917.G3 T58 2021
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Title
Singing like Germans : Black musicians in the land of Bach, Beethoven, and Brahms / Kira Thurman.
Author
ISBN
9781501759857 (electronic book)
1501759868 (electronic book)
9781501759864 (electronic book)
150175985X (electronic book)
9781501759840
1501759868 (electronic book)
9781501759864 (electronic book)
150175985X (electronic book)
9781501759840
Published
Ithaca [New York] : Cornell University Press, 2021.
Copyright
©2021
Language
English
Description
1 online resource : illustrations
Call Number
ML3917.G3 T58 2021
Dewey Decimal Classification
306.4/8428
Bibliography, etc. Note
Includes bibliographical references and index.
Access Note
Access limited to authorized users
Reproduction
Electronic reproduction. Ann Arbor, MI Available via World Wide Web.
Source of Description
Description based on online resource; title from digital title page (viewed on September 23, 2021).
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Table of Contents
How Beethoven Came to Black America
African American Intellectual and Musical Migration to Central Europe, 1870-1914
The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914
Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign
Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe
"A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism
"And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life
Breaking with the Past : Race, Gender, and Opera after 1945
Singing in the Promised Land : Black Musicians in the German Democratic Republic
Conclusion : "What Should a Negro Do with Beethoven?!".
African American Intellectual and Musical Migration to Central Europe, 1870-1914
The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914
Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign
Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe
"A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism
"And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life
Breaking with the Past : Race, Gender, and Opera after 1945
Singing in the Promised Land : Black Musicians in the German Democratic Republic
Conclusion : "What Should a Negro Do with Beethoven?!".