Performing gods in classical antiquity and the age of Shakespeare / Dustin W. Dixon and John S. Garrison.
2021
PA3203 .D59 2021
Formats
| Format | |
|---|---|
| BibTeX | |
| MARCXML | |
| TextMARC | |
| MARC | |
| DublinCore | |
| EndNote | |
| NLM | |
| RefWorks | |
| RIS |
Cite
Citation
Linked e-resources
Linked Resource
Details
Title
Performing gods in classical antiquity and the age of Shakespeare / Dustin W. Dixon and John S. Garrison.
Author
ISBN
9781350098169 (electronic book)
1350098167 (electronic book)
9781350098152 (electronic book)
1350098159 (electronic book)
9781350098176 (electronic book)
1350098175 (electronic book)
9781350098145
9781350239432
1350098167 (electronic book)
9781350098152 (electronic book)
1350098159 (electronic book)
9781350098176 (electronic book)
1350098175 (electronic book)
9781350098145
9781350239432
Published
London, UK : New York, NY : Bloomsbury Academic, 2021.
Copyright
©2021
Language
English
Description
1 online resource.
Item Number
10.5040/9781350098176 doi
Call Number
PA3203 .D59 2021
Dewey Decimal Classification
792.0938
Bibliography, etc. Note
Includes bibliographical references and index.
Access Note
Access limited to authorized users
Reproduction
Electronic reproduction. Ann Arbor, MI Available via World Wide Web.
Source of Description
Description based on online resource; title from digital title page (viewed on October 06, 2021).
Added Author
Added Corporate Author
Series
Bloomsbury studies in classical reception.
Available in Other Form
Linked Resources
Record Appears in
Table of Contents
The gods take stage
Approaching divinity
Under the actor's spell: audiences in Euripides' Helen and Marlowe's Doctor Faustus
An actor ascends: status and identity in Plautus' Amphitruo and the the Court Masque
Authoring gods in Aeschylus' Oresteia and Shakespeare's Hamlet
To die is human, to perform divine
Entertainting Gods in Zimmerman's Metamophoses.
Approaching divinity
Under the actor's spell: audiences in Euripides' Helen and Marlowe's Doctor Faustus
An actor ascends: status and identity in Plautus' Amphitruo and the the Court Masque
Authoring gods in Aeschylus' Oresteia and Shakespeare's Hamlet
To die is human, to perform divine
Entertainting Gods in Zimmerman's Metamophoses.