001378123 000__ 03176cam\a2200505Mi\4500 001378123 001__ 1378123 001378123 003__ OCoLC 001378123 005__ 20230306153010.0 001378123 006__ m\\\\\o\\d\\\\\\\\ 001378123 007__ cr\cn\nnnunnun 001378123 008__ 170218s2017\\\\sz\\\\\\ob\\\\001\0\eng\d 001378123 019__ $$a972900325$$a973312528$$a973377447$$a973516545$$a973745078$$a973796247$$a973904414$$a978551979$$a978768592$$a981863542$$a1066464812$$a1082292263$$a1086538481$$a1112593825$$a1113240984$$a1122810497$$a1160014828 001378123 020__ $$a9783319505381$$q(electronic bk.) 001378123 020__ $$a3319505386$$q(electronic bk.) 001378123 020__ $$z9783319505374 001378123 020__ $$z3319505378 001378123 0247_ $$a10.1007/978-3-319-50538-1$$2doi 001378123 035__ $$aSP(OCoLC)973191738 001378123 040__ $$aEBLCP$$beng$$erda$$epn$$cEBLCP$$dN$T$$dIDEBK$$dUAB$$dYDX$$dN$T$$dCCO$$dOCLCF$$dNOC$$dAZU$$dVT2$$dIOG$$dOCLCQ$$dESU$$dOTZ$$dOCLCQ$$dIDB$$dU3W$$dMERUC$$dKSU$$dEZ9$$dRRP$$dWYU$$dOCLCQ$$dAU@$$dUKAHL$$dOCLCQ$$dUKMGB$$dOCL$$dERF$$dLEATE$$dUBY$$dOCLCQ$$dADU$$dOCLCQ 001378123 049__ $$aISEA 001378123 050_4 $$aML3780 001378123 08204 $$a782.42$$223 001378123 1001_ $$aMartinelli, Dario,$$eauthor. 001378123 24510 $$aGive peace a chant :$$bpopular music, politics and social protest /$$cby Dario Martinelli. 001378123 264_1 $$aCham :$$bSpringer,$$c2017. 001378123 300__ $$a1 online resource (188 pages) 001378123 336__ $$atext$$btxt$$2rdacontent 001378123 337__ $$acomputer$$bc$$2rdamedia 001378123 338__ $$aonline resource$$bcr$$2rdacarrier 001378123 347__ $$atext file 001378123 347__ $$bPDF 001378123 504__ $$aIncludes bibliographical references and indexes. 001378123 5050_ $$aIntroduction -- Context -- Lyrical Contents -- Musical Contents -- Case-Studies. 001378123 506__ $$aAccess limited to authorized users. 001378123 520__ $$aThis monograph offers a unique analysis of social protest in popular music. It presents theoretical descriptions, methodological tools, and an approach that encompasses various fields of musicology, cultural studies, semiotics, discourse analysis, media studies, and political and social sciences. The author argues that protest songs should be taken as a musical genre on their own. He points out that the general approach, when discussing these songs, has been so far that of either analyzing the lyrics or the social context. For some reason, the music itself has been often overlooked. This book attempts to fill this gap. Its central thesis is that a complete overview of these repertoires demands a thorough interaction among contextual, lyrical, and musical elements together. To accomplish this, the author develops a novel model that systemizes and investigates musical repertoires. The model is then applied to four case studies, those, too, chosen among topics that are little (or not at all) frequented by scholars. 001378123 588__ $$aPrint version record. 001378123 650_0 $$aProtest songs$$xHistory and criticism. 001378123 655_0 $$aElectronic books 001378123 77608 $$iPrint version:$$aMartinelli, Dario.$$tGive Peace a Chant : Popular Music, Politics and Social Protest.$$dCham : Springer International Publishing, ©2017$$z9783319505374 001378123 852__ $$bebk 001378123 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-50538-1$$zOnline Access$$91397441.1 001378123 909CO $$ooai:library.usi.edu:1378123$$pGLOBAL_SET 001378123 980__ $$aBIB 001378123 980__ $$aEBOOK 001378123 982__ $$aEbook 001378123 983__ $$aOnline 001378123 994__ $$a92$$bISE