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Introduction: Garry L. Hagberg
PART I: THE AESTHETIC DIMENSION OF WITTGENSTEIN'S PHILOSOPHICAL WORK
1. The Aesthetic Dimension of Wittgenstein's Later Writings: William Day
2. Improvisation and Imagination in Wittgenstein's Philosophical Investigations: Beth Savickey
3. Wittgenstein, Music, and the Philosophy of Culture: Garry L. Hagberg
PART II: NARRATIVE, INTERPRETATION, AND LITERARY LANGUAGE
4. Is a Narrative a Something or a Nothing?: Robert Chodat
5. Narrative Aspect Change and Alternating Systems of Justice: A Wittgensteinian Reading of Borges: Shlomy Mualem
6. Thinking the Poem: Bishop's Transcendental "Crusoe in England" (For Example): Walter Jost
PART III: MUSICAL UNDERSTANDING
7. Wittgenstein on Musical Depth and Our Knowledge of Humankind: Eran Guter
8. Wittgenstein and the Inner Character of Musical Experience: Gary Kemp
9. Wittgenstein's Criticism of a 'Science of Aesthetics' and the Understanding of Music: Alessandra Brusadin
PART IV: EXPERIENCING ART AND PERCEIVING PERSONS: AN INTIMATE CONNECTION
10. The Philosophy of the Face: Bernard Rhie
11. Seeing Stars: The Reception and Ontology of Movie Stars: David Goldblatt
12. If an Artwork Could Speak: Aesthetic Understanding After Wittgenstein: Constantine Sandis
Index.

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