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Table of Contents
Intro; Acknowledgements; Contents; Notes on Contributors; Chapter 1: Asia's Other History; Chapter 2: Can One Speak of the September 30th Movement? The Power of Silence in Indonesian Literature; Indonesia's New Order; Indonesian Magical Realism and Suharto's Master Narrative; Can One Speak of the September 30th Movement?; Chapter 3: Cultural Encounters and Imagining Multicultural Identities in Two Taiwanese Historical Novels; Chapter 4: Fate or State: The Double Life of a Composite Chinese Spy in A Map of Betrayal; Reciprocal Betrayal; Double Allegiance; Mother Tongue and Bilingual Literacy
Repressed Historical TraumaPersonal Loyalties; Chapter 5: Contesting Chineseness in Vyvyane Loh's Breaking the Tongue; Chapter 6: The Female Body as the Site of Historical Controversy: Ghostly Reappearance in South Korean Historical Fiction; Reappearance of the Ghost; Death Performed Onstage: The Last Empress, the Musical; Dramatization of the Regicide: The Lost Empire; The Queen's Masculine Death: Hanbando; Chapter 7: Cosmopolitan Retellings and the Idea of the Local: The Case of Salman Rushdie's Shame; The Uses of Magic: Non-Realistic Representation and Social Critique
Fault Lines of the "Third Space": The Problems of Mixed CodingHistoricizing the "Third Space": Historical Palimpsests, and the "Locality"; Chapter 8: Connections, Contact, and Community in the Southeast Asian Past: Teaching Transnational History Through Amitav Ghosh's The Glass Palace; Transnational Histories Within Southeast Asian History; Teaching Southeast Asian History; The Novel: The Glass Palace; Teaching Transnational Connections; Teaching Contact Zones; Teaching Community
Chapter 9: "Until It Lives in Our Hands and in Our Eyes, and It's Ours": Rewriting Historical Fiction and The Hungry TideCoda; Bibliography; Index
Repressed Historical TraumaPersonal Loyalties; Chapter 5: Contesting Chineseness in Vyvyane Loh's Breaking the Tongue; Chapter 6: The Female Body as the Site of Historical Controversy: Ghostly Reappearance in South Korean Historical Fiction; Reappearance of the Ghost; Death Performed Onstage: The Last Empress, the Musical; Dramatization of the Regicide: The Lost Empire; The Queen's Masculine Death: Hanbando; Chapter 7: Cosmopolitan Retellings and the Idea of the Local: The Case of Salman Rushdie's Shame; The Uses of Magic: Non-Realistic Representation and Social Critique
Fault Lines of the "Third Space": The Problems of Mixed CodingHistoricizing the "Third Space": Historical Palimpsests, and the "Locality"; Chapter 8: Connections, Contact, and Community in the Southeast Asian Past: Teaching Transnational History Through Amitav Ghosh's The Glass Palace; Transnational Histories Within Southeast Asian History; Teaching Southeast Asian History; The Novel: The Glass Palace; Teaching Transnational Connections; Teaching Contact Zones; Teaching Community
Chapter 9: "Until It Lives in Our Hands and in Our Eyes, and It's Ours": Rewriting Historical Fiction and The Hungry TideCoda; Bibliography; Index