001378231 000__ 05578cam\a2200565Ii\4500 001378231 001__ 1378231 001378231 003__ OCoLC 001378231 005__ 20230306153054.0 001378231 006__ m\\\\\o\\d\\\\\\\\ 001378231 007__ cr\cn\nnnunnun 001378231 008__ 180626s2018\\\\sz\\\\\\ob\\\\001\0\eng\d 001378231 019__ $$a1042350810$$a1043444639 001378231 020__ $$a9783319930947$$q(electronic bk.) 001378231 020__ $$a331993094X$$q(electronic bk.) 001378231 020__ $$z9783319930930 001378231 020__ $$z3319930931 001378231 035__ $$aSP(OCoLC)1041937716 001378231 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dEBLCP$$dYDX$$dOCLCF$$dUAB$$dMERER$$dCOO$$dOCLCQ$$dWYU$$dOTZ$$dLVT$$dUKMGB$$dU3W$$dBRX$$dSNK$$dLEAUB$$dAU@$$dOCLCQ$$dUKAHL$$dOCLCQ 001378231 043__ $$an-us--- 001378231 049__ $$aISEA 001378231 050_4 $$aPN1992.6 001378231 08204 $$a302.23/450973$$223 001378231 1001_ $$aArras, Paul,$$eauthor. 001378231 24514 $$aThe lonely nineties :$$bvisions of community in contemporary US television /$$cPaul Arras. 001378231 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018] 001378231 300__ $$a1 online resource 001378231 336__ $$atext$$btxt$$2rdacontent 001378231 337__ $$acomputer$$bc$$2rdamedia 001378231 338__ $$aonline resource$$bcr$$2rdacarrier 001378231 504__ $$aIncludes bibliographical references and index. 001378231 5050_ $$aIntro; Acknowledgements; Contents; Chapter 1 Watching TV After the Wall Came Down; The State of the Television Industry in the Nineties; What Was on TV in the Nineties; Popular Nineties Television: A Collage; References; Chapter 2 Lonely Bowling and Other Critical Contexts; Community and Loneliness on TV; Television and the Communitarian Critique; References; Chapter 3 They Let You Just Sit There: The Failure of the Coffee Shop in Seinfeld, Friends, and Frasier; Seinfeld's Distinctions; Sitcom History; The Impossibility of Individual Progress; Narcissism Is Inherent to Human Nature 001378231 5058_ $$aFriendship Should Be TherapeuticCommunity Is a Burden; TV's Third Places: Cheers's Bar Versus Seinfeld's Coffee Shop; Coffee and America in the Nineties; Schultz's Vision: Starbucks as Third Place?; TV's Third Places: Friends' Central Perk; Where Only Your Family Knows Your Name; Consequences; References; Chapter 4 I'm Doing This My Own Way: Redeeming NYPD Blue's Racist Hero; NYPD Blue: Origins and Controversies; Andy Sipowicz, Hero; Bad Cops; Bad Boys; Fancy and Sipowicz; "Raging Bulls" and Rodney King; Character Types on Police Dramas; Workplace-as-Family 001378231 5058_ $$aNYPD Blue and ER, Sipowicz and Ross9/11 Heroes; References; Chapter 5 It Was a Different Time: Law & Order, White Rabbits, and the Decline of Sixties Radicalism; TV's Procedural Dramas; Nineties New York in Reality and on TV; Down the Hole, and What the Detectives Found There; Collective Memory of the Sixties; Finding Forrest; Radicals on Trial; Remnants of the Sixties; Forrest Tamed; Margaret Pauley, Torch Carrier; William Kunstler; Nixon v. Kunstler; Run, Forrest, Run; References; Chapter 6 The Truth Is Out There ... and He Loves You: Depictions of Faith in The X-Files and Touched by an Angel 001378231 5058_ $$aThe Priest and the SheepCulture Peaces; The X-Files: Wanting to Believe; Fans and Serialization; The Betrayal of "Gethsemane"; Alien Autopsy; Science and Lies; Faith Reborn; Touched by an Angel's Inspirational Formula; The Angel of Death; Angels Flying High; The Self-Congratulating Clip Show; Conclusions; References; Chapter 7 This Town Ain't so Bad: Eternity in Heavenly Springfield with The Simpsons; The Family Sitcom Genre; The Simpsons: Style and Form; Springfield; Bart at School; Homer at Work; Marge and Maggie at the Market; Lisa in the Band Room; Simpsons on the Road 001378231 5058_ $$aSpringfield, the Rest of ItHomer's Home; Simpsons Reunited; References; Chapter 8 TV After the Nineties; Continuities and Discontinuities; TV and Reality; Nineties TV and Community: A Final Assessment; References; Note on Television Sources; Index 001378231 506__ $$aAccess limited to authorized users. 001378231 520__ $$aThis book examines the most popular American television shows of the nineties--a decade at the last gasp of network television's cultural dominance. At a time when American culture seemed increasingly fragmented, television still offered something close to a site of national consensus. The Lonely Nineties focuses on a different set of popular nineties television shows in each chapter and provides an in-depth reading of scenes, characters or episodes that articulate the overarching "ideology" of each series. It ultimately argues that television shows such as Seinfeld, Friends, Law & Order and The Simpsons helped to shape the ways Americans thought about themselves in relation to their friends, families, localities, and nation. It demonstrates how these shows engaged with a variety of problems in American civic life, responded to the social isolation of the age, and occasionally imagined improvements for community in America. 001378231 588__ $$aOnline resource; title from PDF title page (EBSCO, viewed June 27, 2018). 001378231 650_0 $$aTelevision broadcasting$$xSocial aspects$$zUnited States. 001378231 650_0 $$aTelevision broadcasting$$zUnited States$$xInfluence. 001378231 650_0 $$aTelevision viewers$$xPsychology. 001378231 650_0 $$aPopular culture$$zUnited States$$xHistory$$y20th century. 001378231 655_0 $$aElectronic books 001378231 77608 $$iPrint version:$$aArras, Paul.$$tLonely nineties.$$dCham, Switzerland : Palgrave Macmillan, [2018]$$z3319930931$$z9783319930930$$w(OCoLC)1034615109 001378231 852__ $$bebk 001378231 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-319-93094-7$$zOnline Access$$91397441.1 001378231 909CO $$ooai:library.usi.edu:1378231$$pGLOBAL_SET 001378231 980__ $$aBIB 001378231 980__ $$aEBOOK 001378231 982__ $$aEbook 001378231 983__ $$aOnline 001378231 994__ $$a92$$bISE